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Abi-Q returns to Bonzai after long hiatus with the superb three tracker Boaka Chiringo. It was back in 2012 when we last saw him with 12 as well as subsequent appearances on several of our compilations. Great to see him back and we hope to see much more from him in the future.
First up we get right into the deep progressive house grooves of Boaka Chiringo. The intro boasts a cool drum and percussion arrangement with a plucky bass fading through. Cool FX litter the sound and take us into the main track with nice punchy kicks and smooth percs alongside subtle hats and sharp claps. A lush, deep droning chord arrangement takes over the sound bringing a great depth to the groove. The FX and rising synths add wonderful textures with organic flavours throughout. A real nice and smooth trek into the deeper side of prog house, not to be missed.
Caribbean Romance intros with a cool rising chord and subtle tribalistic drum arrangements in the background as a punchy kick gets the feet tapping. A cool, flowing rhythm ensues with the help of tight percussions and shuffling hats. Sweeping pads ebb and flow throughout taking the sound deeper into a pure house groove. A warm plucked bass sits just under the sound perfectly allowing the mid range to flourish. Top notch stuff that is a definite must have for your collection.
These Dark Rhodes gets the remix treatment from Wonji aka Juan Gonzalez. Wonji was last seen around these shores on his 2012 release Convince Me on Eyepatch Recordings. Another artist we are delighted to see with the hope of more to come. The intro gets right up in your face with a full on groove filled to the brim with deep pulsing bass, chunky kicks and huge reverbed percussions. We settle into a smooth house ride as that bass becomes the main feature alongside some cool vocals that are scattered throughout. The break reveals a very cool surreal sequence that gives way to the bass which evolves into a 303 line before we get slammed back into the main groove for the duration. Superb deep grooves that will be a welcome addition in any set.
The hugely impressive Daniel Ray debuts on Piston with the brilliant two tracker, Mirrors. Daniel was a regular feature on Eyepatch Recordings where he dished out his brand of deep house goodness. October 2014 saw A Numbers Game perform well and on top of that he featured in several compilations from the Bonzai stable.
Mirrors sets out with a smooth chord structure that just oozes late night house vibes. Bright and crispy hats come through and join up with a cool drum arrangement as various other key elements are introduced. The keys go through various stages as they are twisted and contorted with expert precision. A cool plucky bassline keeps the low end groove flowing in this beautifully constructed slice of deep organic house.
Under intros with a very cool kick and hat combi that could have come straight off a high end drum kit. Various percussive elements begin to layer up as orchestral wind instruments lurk in the background. A big plucky, cello sounding bass dances along the groove while simple key structures fill the gaps. The track gives off a very live sounding vibe that will definitely get the floors moving with its big sounds.
Johnny Deep returns to Eyepatch with the delicious four tracker, Flowting Up, and he enlists the talented Pierre Lusthilia on two of the tracks which is a real treat. It was back in mid 2014 that we last saw him with Down The Road and since then his tracks have been gracing many compilations and DJ sets. Johnny remains firmly rooted at the centre of the Israeli electronic music scene as he continues to dish out top quality cuts. As always we are delighted with his latest offering and we know you will be too.
First up we have the sultry smooth deep house grooves of Flowting Up. We get drawn right into those deep grooves from the off as soft strings are matched against a strong punchy kick drum that dominates the sound. Subtle percussions form up and provide an ample rhythm to the track as a penetrating pulsing bass hypnotizes the mind. A real sultry affair that will make you sway the night away.
Next up we have I Luv You To The Bone with Pierre Lusthilia. The intro boasts a superb display of drum arrangement as various slapped drums pair up with a cool punchy kick as a probing bass eases its way through the sound. Classic house chord stabs lurk in the distance before fading through to become the lead element. The track gathers pace as a cool vocal comes in alongside various percussions. On the break those house chords make their presence felt with a hefty dose of awesome filters. Top notch stuff that will get the floors moving for sure.
Until You Love Me intros with a simple hat and vocal combi before being joined by a well rounded kick drum that gets the groove moving nicely. A lazy analog styled bass meanders through the sound as various other vocals are introduced. The rhythm picks up as the percussions build, creating a smooth, grooving deep house sound. Warm keys add a wonderful texture and are contrasted by a much sharper plucked sound later on. A definite late night mover here you will not want to miss.
Rounding off this great pack we have Com’on Move with Pierre Lusthilia. Cool crispy hats bring the track to life and sets the rhythm up nicely for the duration. Nice big chunky kicks join in as the bass finds its way through with its pulsing groove. Deep House flavours ooze out of the sound through the superb keys that work effortlessly alongside the bass. A big feature here is the varying vocals which adds a seamless flow to the rhythm and gives off a kind of oldskool garage vibe. Another superb cut from this duo.
It’s been a while since we last saw Mr. Dello, almost 2 years in fact, back in 2012 with Woadi Moan. On his return he is joined by Progrez debutant Elchinsoul on the fantastic deep fuelled three tracker Cloroquine EP.
Cloroquine intros with a superb punchy kick causes a shudder through the speakers. Cool metallic FX fade through and lead up to a monster bass that reverberates right through the sound beautifully. Bright open hats join in and the rhythm picks up the pace as that bass dominates. Minimalist synths cascade up and down on the break to the backdrop of some very cool sounds and effects giving a raw, earthy sound. Top notch deep grooves for the late night parties.
Home intros with an in your face kick and bass combi as tight drum patterns come through. Solid rhythms are formed out of the vast array of drums on offer and are joined by crispy hats and expertly crafted FX. The track powers on with that huge bass commanding authority over the groove. On the break we are treated to a cool display of drums before we get slammed right back into the main sound for the duration. A powerful, driving slice of tribal grooves to get the floors rocking.
Chocolate Rainbow sets off with some very cool, well rounded kicks and a shuffling rhythmic hi-hat pattern. Soft synth notes sit on top of a deep droning sub bass as various sounds and shapes build all around. The main bass groove dominates as it throbs into existence and really sets the deep vibe alive. Subtle melodic arps take us to the break and lead us into a surreal world filled with cool FX and those shuffling hats. The beat kicks back in and we get locked into the solid deep progressive house groove. Definitely a track that will turn a few heads, one to watch.
Matan is back with the irresistible Serenity which comes backed up with a remix from Audio Noir, enough to get the progressive taste bud flowing. Matan remains a very popular figure at Bonzai, his work always oozes quality and attracts a lot of attention. His last outing Aim To The Moon, did just that having gained top spots across various platforms. Always an exciting time when his stuff comes through the office.
On the Original Mix the track eases into its progressive flow with a strong kick and a selection of sublime strings and pads that give off a nice ethnic flavour. The bassline sits perfectly at the low end and really drives home the deeper side of the groove. Drums and percussion slowly build up and provide a solid rhythm to the backdrop of stunning FX and surreal vocal snippets. At the break huge strings swell up as bright and beautiful pianos plink along the sound before we are taken right back into the main groove for the duration. A superb slice of prog once again from this man and a definite must have.
Australian DJ and producer Audio Noir never lets up on the quality front as he always delivers the goods, his Audio Noir Safari mix on Serenity is no exception and must be heard. Audio Noir kicked off 2015 with Life which gained a lot of support all over and he is currently working on other material, which is exciting as he always likes to delve into different styles, drawing inspiration from unlikely sources. Much more to come from this guy in the months ahead so stay tuned. The remix intros with a beautifully constructed sequence filled with bright melodic notes and tribalistic slapped drums. The layers just keep on building as wave after wave of rich strings and pads sweep across a steady chord layout. Whispered voices bring an air of mystery to the sound that builds a lot of character into the track. We get a superb dosing of strummed guitars that lead up to the tight beats as the melodies continue to float by before the track settles into its progressive groove filled with probing basses and shuffling hats. A fantastic cut yet again that you will not want to miss.
UK based DJ and producer Jamie Baggotts is back at BP with The Chant. His debut a few months ago made waves in all the right places and charted well across many platforms. Jamie keeps up his pacey progressive style this time around on this superb two tracker.
The Chant gets us right into the heart of driving progressive grooves with its acid styled basslines and tight drum arrangement. A deep, much more powerful bass sits underneath the rolling acid lines beautifully providing great depth to the sound. On top a sweeping female vocal mesmerizes the mind for the duration. This epic monster just keeps on giving, at the midway point a sublime transformation takes place and the groove is ramped up a notch as the bassline drives on relentlessly. Rising synths fade through and take us up to the break where the synths weave out intricate melodies coupled with that fantastically constructed bass sequence. Definitely a track for the late night sessions due to the pure epicness within.
The Voyager intros with a nice punchy kick and distant sounding percussion sequence. A sinister pad lurks behind as the drum arrangement gathers pace and is joined soon after by an expertly crafted bass pattern filled with cascading arp notes. A short break reveals a brilliant synth that fades out to leave us with a full on driving progressive groove. Bright melodic synth riffs enter the fray and take on a euphoric flavour that leave the hairs on your neck at attention. On the break the bass keeps the groove flowing before a wonderful synth lead delivers a huge build up filled with a massive riser like an oncoming swarm of bees and the crashes back into the main sound for the duration. Another epic fuelled prog monster here that will definitely turn a few heads.
Debut appearance on Piston for Blackpool, UK based DJ and producer Oli Frances with his superb Slow Mo, which also comes backed up with a top class remix from Alvaro Martins. This relatively young artist is proving to be a person of interest due to his great knowledge and love of house music. At 23 years old he has already got the attention of many in the industry having played at top nights such as Sub Sono, Edit and Kaluki in venues like Sankey’s, Bar 137 and Warehouse. On the production front he is making waves on various labels with his raw style and driving house grooves. Great to have him on board here at Piston and we hope to see more in the months ahead.
First up we have the Original Mix which intros with a cool punchy kick and sharp hat combi with a teasing bass lurking in the rear. The bass comes to the fore with its amazing analog prowess and brings with it a warm flowing house groove. Offset keys provide a cool contrast to the lower frequencies that playfully dance their way through the groove. Throughout the track we get a very cool 90’s flavour that just oozes out of the piano riffs. A very tight and solid slice of house which is a definite must have.
On remix duty we have Porto based producer Alvaro Martins. Alvaro grew up with a love for 80’s and 90’s Pop and Rock sounds which soon developed into a passion for Classic Soul and Funk. At 8 years old he joined a music school and learned classic piano which gave him a deeper insight into how music evolves. Nowadays his early influences have proved useful in his outstanding production style. He has released a plethora of top quality House cuts across many labels and he also joins forces with his friend to form Peers & Upright with releases on Something Else and Save Room Recordings. On the remix we get a bass heavy intro that reverberates beautifully through the sounds system with sharp, crispy hats cutting through the low end. Very smooth house keys make their way into the sound with groovy riff that leads us into a raw analog groove. On the break the 90’s flavour pours out in the form of classic piano stabs as cool vocals pop up all around. A fantastic contrast between the old skool style and modern deep house grooves, top notch stuff.
After a superb remix on Van Czar’s Rumba, Onofrio is back at the SRUR helm with the brilliant Rumble which comes backed up with three quality remixes. Get ready for this unique, energetic style as Onofrio rustles up another slice of intense Techno for your listening pleasure.
The Original Mix gets us on the move with a pounding kick drum that will hit the mid rift hard with a little help from a super low end bass. Crispy, sharp hats cut through the low frequencies like a knife as an intensity builds in the background with a rising synth. Shuffling rhythms form up as the hats begin to stutter and drum patterns emerge. The bass moves into an offset position creating an energetic feel to the sound while on the break the synths get a look in as the groove flourishes. Top notch stuff yet again that you will definitely want to get into your sets.
The popular Ozan Kanik steps up to the remix desk for the first of three remixes. 2015 has kicked off very well for SRUR boss Oz Romita, and with tracks like this and Ozan’s own Back Ally Rally, in the frame it looks set to continue. The intro sets off with a somewhat intense vibe as nice punchy kicks are joined by sharp hats and a sinister sounding synth drone. Cool drum patterns litter the groove and keep the rhythm flowing while top quality FX take us through the composition effortlessly. The intense vibe continues to rise and is enhanced by the introduction of some hypnotic sounds that show up through the break. A super sleek, super solid slice of Techno that will keep the floors pumping no doubt.
Naples native Bulaklak aka Francesco Flores debuts on SRUR with his remix. Having grown up with music through playing instruments and listening, it was inevitable that he would end up making it his career. At 15 he discovered underground house music and he began to DJ. On the production front he has released across many labels and is known for his experimental style. The remix here feeds perfectly into that experimental style he loves, the intro boasts some cool pulsing basses, sinister synths and rising pads that give off a surreal vibe. Nice, big chunky kicks soon take charge with the bass settling in nicely at the low end to allow the vast array of sounds and strange shapes to form. As the layers build you find yourself locked into the sound with no escape. Bulaklak blends the minimal side of Techno with some powerful grooves to create a tight and solid Techno workout that will really get the heads nodding, a must have.
Moll returns to SRUR with a superb remix. We last saw him on remix duty for Oz Romita’s Idiots and before that on Bonzai Basiks with At The Dawn EP. Always great to see this guys work come through the office as we know we’re always in for a real treat. On the remix we get thrust into a sublime world filled with pounding kicks and rising FX and hypnotic rhythms. The intro gets right into it with powerful kicks coupled with sharp claps and super sharp hats. The bass rumbles along nicely on the bottom as the mid frequencies take control of the sound. The synths sit perfectly among the cacophony of percussions and echoed claps that give the track a real edgy feel. A truly intense Techno groove, only for the headstrong.