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SRUR presents its fifth instalment in the ‘Muzika’ series. Four new, top quality deep techno cuts brought to you by five top class artists including Ben Mert & Harun Karabulut, Danny Murphy, ED Whitty and Moll.
Ben Mert debuts on SRUR while Harun is becoming quite the regular on these shores. The guys deliver with their ‘Drunken Violine’ which fades in to reveal a monster kick and bass combo with a sinister sounding FX. A beautifully strange violin comes through and creates a wonderfully textured sound with great percussive elements over the top. Top notch stuff from the boys!
Danny Murphy debuts on SRUR with his sublime track ‘Quiroga’. Nice and smooth percussive intro leading to a solid well formed kick. Soon an offset bass opens the track up and adds an energetic feel. Very bouncy vibe here as steady, flowing rhythms are formed and some cool sounds bursting through. An infectious groove for the big floors and not to be missed.
Ed Whitty returns to SRUR after his recent stint with Gabriel Ben. Here he delivers ‘Kukulkan’ which is a well crafted slice of techno. Chunky kicks are accompanied by a shuffling styled hat arrangement creating a cool rhythm. The deep sub bass packs a huge punch as it relentlessly powers through the groove. Cool buzzing effect on the synths create a bit of tension with a superb vocal sample adding weight. Tight track for the late night masses.
Moll debuts on SRUR with his track ‘In Your Head’. Recently Moll has seen a release on Bonzai Basiks with the prospect of much more to come. Here he pushes the techno out of every sound he’s used. Superbly crafted drum arrangements give off a steady vibe as a mega deep bass pulsates through the speakers. Some very cool percussive and crowd effects fill the spectrum as this track gets into the heart of techno. Excellent stuff!
Belgian and French Duo DB Movement deliver a breath of Fresh Air with this release. We were looking hard for this kind of music and couldn’t believe our ears when French DJ Phi-Phi handed us these tracks he made with Belgian Legendary Stephane Akenan (aka Steff Garner). Progressive House and Trance freaks, This is music for your dancefloor. Music that should be praised. Evidence is probably the freshest tune we had heard in years, and Rotation sounds just as good. Get prepared, because this will bring you back to the real sound of Progressive House.
Kopi Luwak returns to Elemental with ‘Anna Pedan’. Kopi had seen a few releases with Elemental in the last few years and has appeared on numerous Bonzai compilations including the ‘Pure Chillz’ series.
‘Anna Pedan’ is a fantastic, uplifting, chilled out stroke of genius. Big, warm and lush pads begin the journey and create a perfect atmosphere for letting all your woes wash away. Sweet melodic arps come through as the track progresses with a downtempo beat making a show. As the sound ebbs and flows you drift as euphoria sets in. Just when you think there is nothing more to be done a beautiful string melody comes into play taking your mind further into a blissful state. The only problem with this track is that there was an ending, you will simply not want this to end, stunning stuff.
Greek born DJ and producer Steve Sai returns to the Bonzai Progressive stable with this stunning two tracker entitled ‘White Fluffy Clouds’. Steve’s last track ‘The Cube EP’ got the attention from many corners, and no doubt this release will be up there with its predecessor.
The title track, ‘White Fluffy Clouds’ gets us on the go with a smooth deep progressive house workout. Nice and steady rhythms built up on the intro with a cool hat, clap combo alongside sweetly melodic synth shots. The bass and kicks join the party and set the track on its proper journey through prog with a hypnotic undertone that really captivates your mind. The break goes to a deep place enhancing the experience throughout this superb track, great stuff.
‘Across The Sky’ intros with a distant kick that sits below a dark synth sound. The kicks soon beef up and a solid progressive groove is born as a wonderful bassline eases into the sound. Flowing, soothing rhythms emanate from the tight arrangements as the layers are expertly crafted. At the break things simmer down to a blissful state before you are ejected right back into the groove, top notch stuff!
Polish producer Marcin Stepien aka Neptun 505 makes his debut on Bonzai Progressive with a two track progressive monster entitled ‘Zulu EP’. Marcin started to make own music in 1999, but 2008 was a real breakthrough year for him with original and remix releases on labels like Magnetide Records, UDTK Records, and then later on Dirty Stuff Records, Electronic Tree, Mistique Music, Smart Phenomena Records and Passion Fruit Recordings. Today he is working on solo stuff and sometimes he collaborates with E.F.G.
First up is ‘Zulu’ which intros with superb tribalistic patterns via some smooth membranophone action and a nice chunky house kick with a side of cool hats and other percussions. A deep resonating bass makes a stealthy entrance to the sound with nifty work on the frequency filter. Wonderful cascading synths weave out a cool vibe and the track soon takes on a full progressive persona. Brilliant stuff and a definite must for any prog set!
‘Orion’ gets down to tribal business from the off as a round of quality percussions carve out neat rhythmic patterns. A rising synth pad also brings the bassline along for the ride as the track builds the layers beautifully. Very cool chord changes on the synths keep the ear trained and on the break subtle melodies get the focus before coming right back into prog mode for the duration, top stuff.
Sa.Du is back with another round of deep tech goodness on his four tracker ‘Field’. His last outing ‘Save As’ gained huge support from all over which is a tip of the hat to this fine talent.
‘Field’ intros with a smooth and steady rhythm as the subtle kicks merge beautifully with a tight percussion arrangement while some wistful vocal samples fade through. Throughout the track we are treated to a different array of vocals that really set the track off in style. The bassline sits in the background yet has a big impact on the sound. An all round super ride through deep tech house that will do well in any set.
Nice and full kicks provide the intro on ‘To Me’, soft open hats are the perfect addition as one shot synth notes begin to form around a very cool female vocal. The arrangements on this are top notch as a diverse range of sounds amalgamate perfectly. Subtle basses and saxophones serve up a groovy vibe as we ride through deep shades of tech house, great stuff.
Next up we have ‘Imaging Your Self’, deep and sultry sounds abound here as a provocative female vocal swamps the vibe. Cool rhythms are formed out of a tight drum arrangement with punchy kicks and sharp hats. The bassline gels everything together brilliantly and on the break a female vocal comes to life with a huge diva-esque chorus, top notch production in effect!
‘Am I Crazy’ is up next with a classy intro filled with multiple FX and another tight drum pattern. Alongside a superb female vocal sits a piano riff that scales the keys in various sequences, this sound becomes the big focus and is contrasted with a much brighter, higher pitched toy piano type arp. The bassline comes through late on but only serves to fully enhance the groove making this an epic slice of deep tech.
Delphi debuts on Green Martian with ‘Mariana Trench’ which is a stunning slice of progressive house that comes backed up with two quality remixes.
The Original Mix is a testament to that almost euphoric progressive house sound that captivates so well. The intro boasts a bright arp synth that leads smoothly into a strong kick accompanied by some cool FX work. Subtle hats and percussions build flowing rhythms and out of nowhere a warm bassline fades through taking the track to the next level. Hypnotic high pitched notes become a big focus on the sound and on the break a mesmerising sequence begins. Big sounds are the order of the day here with a stunning drum arrangement, top quality stuff and one to watch for sure.
First up on the remix is none other than 06R aka Hisataka Ogura who is no stranger to Green Martian. His last outing on this imprint came in the form of the wonderful ‘Air 2.0′ which gained massive support from many top jocks. On the remix Hisataka applies his sublime brand of prog house, the intro boasts subtle kicks and stand out percs that build rhythms flawlessly. Cool arp sequences steadily rise with the bassline holding up the low end perfectly. A stuttered vocal adds an uplifting feeling while big synths enhance this feeling further. Superb stuff yet again and a must for those big parties!
Eddie Murray aka Aeonism, is an Irish DJ and producer who recently marked his GM debut with ‘My Soul’. Here he shows his talents yet again in style with a fantastic take on all the qualities of progressive house. The intro sets us off with swirly sea sounds while a rising synth leads us to a cool kick and hat combi. The synths continue to rise with teasing melodies beginning to filter through. The bassline draws you in with a deep drone and is the perfect companion to this evolving sound. Mercy is shown as melodies are unleashed and a simply stunning ride ensues. Get this in your playlist and you will not be disappointed!
Ivan Shadrin aka Ego Progressus is back with this two tracker entitled ‘The Ink Of Night’. His last outing on Progrez ‘Dark Story’ was well received which is a tip of the hat to this fine producer.
First up is the title track ‘The Ink Of Night’, the intro is a simple punchy kick and crispy hat combination with a warm pad soon following. Cool FX start to come through before a grungy type synth leads us into the darker recesses of progressive house. A short break takes us into this realm further as the synths intensify and the percussions escalate. The bassline comes through as a construction of many sounds which has a huge impact overall giving an organic flavour to the vibe. Intense and amazing.
‘White Church’ sets off with a multitude of percs and FX over a cool kick, the percussions continue to build as a dark bass pokes through. The track takes on a very percussion focused drive that produces flowing rhythms with very cool sequences. Expertly crafted track indeed which ebbs closer to techno with a progressive edge.