RECENT POSTS: Jay Junior
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The Best Of SRUR 2013 comes with original tracks and remixes by Victor Vera, Ozan Kanik, D-Formation, AngelLopez, Oz Romita, Lyle Quach, Re Dupre, Rod B., Angelo Fracalanza, Gabriel Ben, Ed Whitty, Chrono Ascaloon, M.R.T.N, Onofrio Conte, Analog Effect, Jay Junior, Andy Slate, Ozgur Uzar, CLN83, Steve Mulder, Tom Hades, Alessan Main, Kevh Ripple.
Purveyor of the finest grooves, Chantola is back with another stunning cut, “Don’t You Know”. Henrik has been very buys in the studio with his own works, including a new studio album and plenty of remixes to keep him going for a while. This track comes with three superb remixes that will raise a few eyebrows for sure.
The Original Mix takes us on a sublime journey through progressive house, tight arrangements and a wonderfully subtle and rich bass that has a huge impact. Great vocal samples throughout keep the ear trained intently while a myriad of classy FX fill in the gaps. On the break a great synth drone takes over as chords weave their patterns through the sound before slamming back into this solid groover.
Argentinean producer Hector Sawiak returns to remix duties for Bonzai after his remix of Cut Knob’s “Deep As We Like” appeared on Clubb Traxx “Progressive House 6″. Hector also has a huge amount of releases on many other labels including Mystique Music and Stellar Fountain to name just a couple. The remix pumps up the groove big time with a super smooth rhythm built up with the nice chunky kicks and expertly crafted percussions. The bass flows beautifully and the understated synths work a treat, the vocal sample is well used and fit perfectly to round off a very cool track indeed.
Fresh from his last outing “Cough Drops” we have popular Bulgarian producer Thomas Genchev next up to the mixing desk. Easing the groove firmly into the realms of house while retaining a progressive undertone. Sweet kicks are accompanied by cool rhythmic percussions and a hypnotic bassline, the break brings is some great FX work and distant piano notes which add stark contrasts, top notch delivery yet again.
Jakhira has been very busy lately with remixes and his latest release “Heartstrings EP”, also on Bonzai Progressive. Jakhira firmly beefs up the sound here with tougher edged take on the original. Multi layered basses provide the perfect platform for the outstanding synths on display, hints of melody creep in and mesmerise the mind and on the break the melodies burst through taking the track to a whole new level. Epic progressive house at its best and one to watch for sure.
Dutch DJing and production duo Analog Effect aka Jan Boom and Branko Van Hilten team up with fellow country man Jay Junior for their full debut release on SRUR with “Diffuser EP”. Jan and Branko have done remixes for SRUR and Bonzai Basiks in the past for Oz Romita and Oliver Moldan. These guys started out creating bleeps on Atari computers and have since worked with and played with top DJ’s and artists from across the world. Jay Junior has music coursing through his veins, he started his music career as a percussionist and he has performed at many festivals across Europe. Now when Jay takes to the decks he throws out an energetic and rhythmic experience for the listener.
The title track “Diffuser” intros with a thumping kick and light percussion, the rhythm builds steadily and bursts into a full on tech stomper with a deep, reverberating bass. The break offers up some interesting FX which works very well in contrast with this deep groove, one for the darker rooms!
“I Like It” is up next and we get another round of truly floor thumping kicks backed up with quality percussion and FX. The bassline has a smooth deep grooving effect and this blends so well with the overall vibe. Vocal samples peek through before the break and the track winds down, superb synths build tension on the break and before you know it we are back into full on party rockin mode with this top tune.
M.R.T.N take on remix duties on “Diffuser” and they ramp up the techno grooves in style. Much harder edged with tough gritty kicks and in your face bass. A multitude of percussive instruments provide a solid groove with flowing rhythms while on the break we get treated to some quirky bleeps and an intense riser to get us back into full swing, a must have for those dedicated techno arenas.