Recent posts: Insect Society
It’s been a while since we last saw Hungarian producer and composer Insect Society at Bonzai Basiks, the wait is over as we have the newest cut entitled Made In Sweden, which comes with a top notch remix. And Cleopatra Wept was his last outing which went down a treat and prompted a call up to remix duty for Van Czar’s Despote EP. Hopefully much more to come from this talented artist in the future.
The Original Mix intros with a cool robotic voice that trails off into a deep drone that rises up through the sound beautifully as huge punchy kicks are joined by a selection of sharp percussions and top class FX. The bassline is where it’s at here, a solid, driving groove becomes the mainstay of the track and blends perfectly with the rising arps. The arps take on a retro theme with acid undertones filtered in and on the break this is complimented by stunning FX that pop up out of nowhere. A truly hypnotic and driving techno groove that will be a most welcome addition in any set.
The OSC 1 Mix takes on most of the Original Mix’s flavour, the driving bass groove and pounding beats all remain alongside the robotic voice and wonderful FX. The main difference is in the arps, here they are taken up an octave and weave a slightly different pattern. That retro theme is still in play and gives a nod to the old skool Techno sound. The perfect extension to the original and equally a must have addition to your box.
Van is back on Basiks with his “Despote EP” which is backed up with two top quality remixes. Van’s workload really is impressive and after his last epic release “Delotux” he really hasn’t shown any signs of slowing down. DJing, hosting multiple radioshows, producing and remixing are what he loves to do and he delivers on quality every time.
The Original Mix of “Despote” is a tough and gritty deep techno offering, chunky kicks and crisp hats set up the scene while the bassline creeps in and settles into a solid groove. The FX work here is second to none and the vocal samples are expertly placed which is one of Van’s specialties.
First on remix duty is Insect Society, fresh off the back of the well received “And Cleopatra Wept”. Big thumping kicks on the intro with subtle hats and percussion easing their way into the sound, a deep sub bass is on the offset beat and this will send ripples through any floor. As the track builds we get some cool vocal samples and stunning synths coming into play while a classic siren type FX give this a big arena feel and this is just where a track like this belongs, superb stuff.
Minitech Project returns with his own brand of techno fuelled grooves on the remix. A solid reworking here with big focus on the lower end of the frequencies, stark contrasts are felt with the crisp hats and percussion and we go lower with a throbbing deep bass. Again we see expertly placed vocal samples which have a big impact on the groove, great to see Minitech back and hopefully more to come.
Hungarian producer and composer Insect Society is back on Basiks with “And Cleopatra Wept”. His last release “Really Insane EP” gained huge support all over.
The Original mix starts off with an intense kick and bass combo that exudes power, lots of different FX sweep in and out of the sound and the percussions build up nicely. An acid line forms out of nowhere creating a truly hypnotic rhythm with a little bit of retro flavour. Quality synth work pops up and the break gives off a raw, organic vibe before slamming back into this very powerful groover, one to watch here.
The Floor Of Tears version is an epic extension on the original, a bit more club orientated while keeping to the hypnotic prowess of the main track. Definitely a must for DJ boxes all over.
Hungarian born producer and composer Insect Society debuts on Basiks with this stunning three track EP entitled “Really Insane. Insect society has been addicted to music since the early nineties and he took to composing in the 2000’s. He started off using computer software with VST’s for his productions but quickly moved over to hardware to get that much richer sound. Very exciting times ahead with this guy as his talents begin to shine.
First up is “16 Hours”, high octane driven tech with that raw analogue sound you get from hardware. Strong chunky kick and a sub bass provide the intro with cool sweeping buzz effects and the percussions gradually building the rhythm. The bass goes through many transformations with some quality filtering, the synths are contrasted with warm lush stabs to tough and gritty arps, very well constructed track!
“Really Insane” intros with a monster kick and bass combi overlayed with a host of FX. This guy really shows how to get the best out of his synths with a multi layered sequence of true electronic sounds. This track continues to build and culminates with a simply amazing acid type lead that seems to go on and on. Solid grooving track that will have any bass bin pushed to the limit, epic stuff.
“Stunned Brain” finishes this EP with a much darker edged track. Another solid groove with acid lines, sweeping chunky basses and eerie pads all rolled into one full on techno experience. The rhythms are expertly crafted with crisp hats and percussions held together by a strong kick. A serious contender for the pure techno jocks cases!