RECENT POSTS: Harun Karabulut
The Muzika train just keeps on running, already we are seeing the 10th instalment featuring some of the finest Techno cuts around from the likes of Harun Karabulut, Patrik Prelovsky, Dr. Mabuze and Sylar.Harun Karabulut kicks us off with the fantastic Complex Gravity. Harun is no stranger to the Muzika series, he teamed up with Ozan Kanik on Volume 7 with Yavas Yavas back in 2014 and has been churning out quality cuts on various labels since. We’re delighted to see him back with this stomper. The track gets right into the bowels of Techno with chunky beats and a superb deep bass that packs a huge punch throughout. The tight arrangement is tied up with expertly crafted noise FX that sweep over the sound perfectly as classic chord stabs litter the groove. Top notch yet again from Harun, a track you will not want to miss.
Next up we have Patrik Prelovsky with Hypnotic. Czech Republic born Patrik quickly climbed the ranks as a DJ from a young age. He has shown up on various labels including Eyepatch Recordings, Mint & Mustard and many more with his brand of Techno fuelled cuts. Here, the track intros with a solid pumping kick drum and sharp accompanying hats and claps. A throbbing bass forms up from below and brings a hypnotic rhythm to the sound. Short and snappy percussive hits play a big role here and add to the infectious grooves within the track. Cool vocals litter the sound as stabby synths join in. A definite floor hitter that will have you hooked in for the duration.
Dr. Mabuze debuts on SRUR with Same Question and turns up the heat with his sublime Techno grooves. The intro sets the tone perfectly and takes us deep into the sound with muted kicks and downward spiralling notes. The kick drum transforms delivering a huge punchy hit alongside crispy hats that get the rhythm flowing with a little help from a tight drum arrangement. A dark tone develops as the track progresses with the introduction of an eerie, deep and raspy vocal. Powerful stuff that will keep the floors alive no doubt.
Sylar marks a full SRUR debut with Long Distance. We last saw him back in 2012 on remix duty for Calbos’s The Grind which was very well received. Today we get the full on deep experience right from the off as nice punchy kicks are joined by a rhythmic percussion section. Grainy synth stabs dominate the track with their sketchy lines and infectious aftertaste. The bass rolls through the sound perfectly and keeps the groove pumping while adding to the hypnotic flavour. A masterful slice of Techno that is not to be missed.
SRUR’s Muzika series is back with Volume 7. This series has been gaining lots of momentum as label boss Oz Romita continues to source only the finest cuts for inclusion. As we’ve come to expect we see four more top drawer artists deliver four stunning tracks.
First up we have Ozan Kanik & Harun Karabulut that join forces once again to bring ‘Yavas Yavas’ to life. Nice big phat kicks get the track moving with an expertly crafted percussion arrangement getting the rhythm flowing. Cool vocal samples are the perfect addition to the sound as our sense are raided by the organic vibe coming through. Quite a minimal groove with a massive punch, the detail shown in the various FX and sounds is stunning making this a must have track for sure.
Then comes ‘Badub’ from Davide Marchesiello. The track intros with a cool deep bass filled vibe, punchy kicks blend beautifully with the bass as percussions skip along adding rhythmic grooves. The FX work comes through brilliantly and adds smooth textures to the groove. Cool new patterns can be found throughout as the arrangement lets loose on the percussions. Very well crafted sound here and perfect ammo for the darker rooms.
Manoah delivers the sublime ‘Onduidelijk’. A very subtle intro with the kicks holding off on the punch and soft hats that create a cool vibe. Before long we are thrust into the main track as a deep bass comes through and forms the main focus of the track. On the break cool atmospheres are created as the track breaks down to just a simple yet effective percussion line and some cool FX that give an urban feel. A truly dark journey that will sit well in those dark sets, no doubt.
Kendrick is up next with his track ‘Get Up’. Nice and smooth percussion intro that builds to a full on kick that dominates the sound. Cool vocal samples pop up throughout and give character to the sound. A throbbing bass soon commands authority as the track settles into a steady flowing rhythm. The drum arrangement takes centre stage at the break with more intricate patterns forming up beside a classy piano stab before slamming right back into the main groove. Brilliant stuff.
SRUR presents its fifth instalment in the ‘Muzika’ series. Four new, top quality deep techno cuts brought to you by five top class artists including Ben Mert & Harun Karabulut, Danny Murphy, ED Whitty and Moll.
Ben Mert debuts on SRUR while Harun is becoming quite the regular on these shores. The guys deliver with their ‘Drunken Violine’ which fades in to reveal a monster kick and bass combo with a sinister sounding FX. A beautifully strange violin comes through and creates a wonderfully textured sound with great percussive elements over the top. Top notch stuff from the boys!
Danny Murphy debuts on SRUR with his sublime track ‘Quiroga’. Nice and smooth percussive intro leading to a solid well formed kick. Soon an offset bass opens the track up and adds an energetic feel. Very bouncy vibe here as steady, flowing rhythms are formed and some cool sounds bursting through. An infectious groove for the big floors and not to be missed.
Ed Whitty returns to SRUR after his recent stint with Gabriel Ben. Here he delivers ‘Kukulkan’ which is a well crafted slice of techno. Chunky kicks are accompanied by a shuffling styled hat arrangement creating a cool rhythm. The deep sub bass packs a huge punch as it relentlessly powers through the groove. Cool buzzing effect on the synths create a bit of tension with a superb vocal sample adding weight. Tight track for the late night masses.
Moll debuts on SRUR with his track ‘In Your Head’. Recently Moll has seen a release on Bonzai Basiks with the prospect of much more to come. Here he pushes the techno out of every sound he’s used. Superbly crafted drum arrangements give off a steady vibe as a mega deep bass pulsates through the speakers. Some very cool percussive and crowd effects fill the spectrum as this track gets into the heart of techno. Excellent stuff!
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Sixth episode in the Bonzai Basiks Pure Tech series, this time featuring original tracks and remixes by Ozan Kanik, D-Formation, Mindgamers, Florian Meindl, Tribal Warriors, Jamez, Oliver Moldan, Anil Chawla, Kini Rao, Joal, Active Line Six, James Harcourt, Amber Long, Gabriel Ben, Ed Whitty, Re Dupre, Rod B. & Angelo Fracalanza, Filth & Splendour, Zolex featuring Nikkie, Soren Aalberg, Crystal Symphony, MC Johnny Def, R.O.N.N., James Hopkins, MiniTech Project, Soulboy, Onofrio Conte, Lyle Quach, Recycled Beats, Victor Vera, Harun Karabulut and Goksel Vancin.
Ron Carroll aka R.O.N.N is back at SRUR with another gem of a track “1-2-3-4″ which is backed up with quality remixes. Ron is a Chicago based writer, producer, singer and well respected DJ. He is known on the global music circuit and has collaborated with many of the world’s top DJ’s and producers such as Erick Morillo, Roger Sanchez, Bob Sinclair, David Guetta, and Axwell to name a few. Since singing in his church choir at a young age Ron was destined to make a mark on the music industry. He started to spin in Chicago’s Southside in the Eighties and found himself opening for DJ’s like Lil Louis, Mike Dunn and Ron Hardy. Ron was introduced to the European house music scene in 2000 when he was asked to write something for the band Super Funk and the result was “Lucky Star” which went global with over 3 Million sales. Ron has been producing, remixing, and contributing vocals on a wide variety of projects notably co-writing “When Love Takes Over” with David Guetta and Kelly Rowland. When Ron is not working in the studio he’s performing at some of the biggest electronic dance music events in the world including Loveland Festival in Amsterdam, Sensation Events (South America), Ibiza and top Clubs throughout Europe, Asia, Australia and Middle East. Ron is also launching his production & events company One Entertainment Group and his record company Electricity.
The original EDP mix intros with classic kick and offset percussion combo with a bassline teasing its way up through the frequencies and blasting into a full on electronic techno fuelled monster. Sharp slicing synths come through and on the break we get treated to an absolute massive build up before pounding back into a solid groove, the 1-2-3-4 vocal adds a fresh approach with a few other nifty vocal samples in the background and for those of you who would like no vocal then there is an Instrumental Mix for your pleasure, top stuff!
First up on remix duty is SRUR competition winner Aaron Kwiatek and his Winning Remix. Aaron hails from Ron’s own backyard, Chicago, Illinois and has seen a release on JQM Recordings. A hotly contested competition took place with the best being whittled down to just a few and Aaron take top spot, the winning prize was your remix being released on the label and here we are. This remix takes on a darker approach with a heavier kick and lots more synth work with expert modulations and a deep deep bass. Minimal use of the vocal sits very well here and only enhances the darker edge. This is one of those techno tracks that give and endless feeling and one that will be on a lot of playlists, well done to Aaron.
Fresh from his SRUR debut “Words With Enemies” is Vancouver based DJ and producer James Hopkins with his remix. The track intros with a thick, chunky, pounding kick and bass combo with subtle percussion waiting in the wings. Fantastic reverbs on the vocals add depth to this and the percs create a strong steady rhythm. An enduring track full of energy with the odd break to come up for air, absolute stomper!
Based in Germany and regular at SRUR Harun Karabulut delivers a solid full on high octane techno remix. Sharp hats, chunky kicks and a never ending synth pad make up for a quality intro with a throbbing bass making an appearance soon after. On the break we are treated to very nifty synth play with the vocal samples coming through. Another banging tune for any floor in any part of the world.