RECENT POSTS: Eyepatch Recordings
Deep house guru and all round funkster Victor is back at Eyepatch with this wonderful three tracker ‘Ready For Something Nu’. Victor always produces the goods in his work and judging by his last offering ‘Nightlife Unlimited’ we are in for another round of deep fuelled goodness.
The title track ‘Ready For Something Nu’ goes into a full on solid rhythmic flow right from the off. Well tweaked kicks sit over a nice display of percussions and a low end bass, smooth deep house keys weave a smooth pattern as sweet pads work the upper layers. Throughout the track groovy sounds pop up adding to the diversity on offer. Funky, groovy, deep house pleasure and a must for any box.
‘The Deep Goes On’ serves up another slice of Victor’s trademark deep sound. Classic kick and percussion intro leads us into a beautifully layered, lush array of synths that ebb and flow. Silky smooth pads are accompanied by rich keys giving that groovy feeling. The groove is beefed up by a cracking bass that just sits nicely within the sound and on the break the keys are let loose making this a sure fire hit at many parties.
Next we have ‘Tiefklang’ which has a simple kick intro that takes us to a super crispy hat before a sublime swaying pad takes over. This is shored up by a well balanced deep throbbing bass which adds a real sense of depth to the sound. Metallic sounding plucky notes come through and fit well in contrast to the deeper edge on the track. The break unleashes a superb cacophony pads before slamming back into a full on, hypnotic deep house ride, brilliant stuff!
The ever impressive Dimitry Liss returns to Eyepatch after stints on Bonzai Basiks and Piston Recordings. Here we have Dimitry’s sublime brand of deep house in the shape of his two tracker ‘Gentle Elton’.
The title track gets us moving with a big chunky kick that packs a huge punch indeed. Very crisp open hats are the perfect match to the kicks and provide a solid base for the flowing rhythms. The bassline cuts through the sound beautifully with a groovy flavour, in the background strings sweep along while upfront some very well tweaked synths make their mark. The vocals stand out well here and definitely makes for a floor shaker!
‘Jelly Jelly’ is up next and does not disappoint. Smooth intro with kicks and percs as a vocal filters through with expert manipulation. A super deep groovy bassline pops up soon after and the vocal becomes more prominent. Proper deep house grooves are all over this track with the funk factor coming through later on, top notch stuff yet again from Dimitry.
Daniel makes a welcome return to Eyepatch with his four tracker ‘Marlboro Station’. His last outing ‘Lofty EP’ showcased his skills beautifully and now we are treated to more of this superb talent.
First up we have the title track ‘Marlboro Station’ which sets off with a very cool kick and percussion arrangement before a wonderful plucky bass takes over the sound. An array of metallic sounding FX adds a stark tech twist to the sound, this is contrasted by the occasional warm pad and synth note adding smooth textures, great stuff.
‘Brighthouse’ goes deeper with a smooth house vibe built in alongside elements of techno. The intro boasts a nice chunky kick and crispy hat combi, warm house keys soon filter through and blend well with the more techy edged FX that peek through. A well rounded deep bass makes a show and the track topped off with some very strong piano riffs, top quality track.
Up next is ‘Water Tunnel’ with a gritty intro made up of cool percs and a thumpy kick. Raw sounding FX start to take over the sound as a stunning bassline builds the momentum. Again we see some fine deep piano chords coming through with a contrasting strings and pads. A superb guitar also accompanies the piano and makes for a fantastic deep tech house ride, brilliant!
‘Fallen Star’ takes things deep with a stunning array of sounds on offer. Tight drums and percussions set the scene beautifully as a backdrop to some expertly crafted synth keys that dominate throughout. All these sounds are complimented with a deep rooted bass and a myriad of sweeping FX, quite an amazing sound with an almost laidback, chilled groove.
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Ittai makes a welcome return to EP with his superb three tracker entitled ‘My Sugar Brother EP’. Ittai’s last release ‘Dost’ received great support from all over which is evidence of his highly skilled approach at producing music. No doubt we will continue to be blown away with what this guy has to offer.
First up is ‘Hyoung Nim’ which intros with a smooth kick and percussion combination, this leads nicely into a well rounded synth riff that carries the hallmarks of true deep house grooves. The bass eases into the sound and powers the track beautifully with its deep lush vibes. The groove bounds on relentlessly before taking a respite on the break where the synths come to the fore and the bass takes a back seat. We see the full force of this track once again as the grooves rebuild and leaving us in a deep house utopia.
‘Sugar Caned’ turns up the heat with a somewhat deep and energetic workout. Big chunky kicks abound as a subtle percussive line keeps the rhythm. The break comes early with a sneak peek at some warm chords before the bassline enters the groove. The track continues to build with cool percussive elements and beautiful synths resulting in an seemingly endless and hypnotic journey.
‘Home Is Where The House Is’ takes us right into the heart of deep house. Solid intro with thick kicks and chords with more chords fading through. The bassline eases into the mix very subtly and before you know it we are locked into a fine deep groove. Percussions build nicely creating smooth rhythms and making this a must have for those deeper sets.
Mexican producer Dan Cano debuts on Eyepatch with ‘Moving In You’, a sublime slice of deep house which is a perfect edition to the EP collection. Dan has seen releases on labels like Deepclass Records and Kimbo Records with no doubt much more to come from this young and talented guy.
The Original Mix gets going with a nice deep flowing rhythmic house vibe made up with a chunky kick, subtle percussions and warm keys. Short and expertly placed vocal samples add a cool layer with the funky bassline beefing up the sound brilliantly. Classy house chords dominate the break and take us on a cool ride before easing back into full on groovy mode, top track!
French DJ and producer Gaulois aka Sebastien Desay ramps up the pressure with his remix which is full of deep and groovy flavours. Kicking off the track has a classic style feel with the drums and percussion blending brilliantly alongside a short vocal sample. Plucky synth notes begin to show before a lush synth takes the helm. The bassline gives off a cool rolling vibe combining well and creating a true deep and groovy cut.
French DJ and producer Gaulois delivers superb fresh sounding deep house beats with his two tracker, “Living On The Music”. Gaulois is a moniker of one of Bonzai’s newest signings Sebastien Desay and already we have seen some top quality productions from this guys with much more to come.
“Living On The Music” gives deep house a new lease of life with stunning fresh beats and a slow darkly groove. Excellent drum arrangements get the rhythm flowing while the bass reaches up from way down in the depths. The track has many quality features but a hypnotic synth and a wonderful spoken vocal are two elements that really shine through, one to watch!
“Young Talent” delivers a fantastic upbeat type of vibe with bright sounds and a retro style coming out of the drums and deep analogue bass. Lots of quirky one shot synth stabs keep the track fresh alongside a very cool rhythmic percussion arrangement. The vocal on this stands out beautifully and is the perfect companion to a stunning track.+
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Deep Worx is now on the 7th installment and this time featuring original tracks and remixes by Rick Wade, Rogerio Martins, Shades Of Gray, Dimitry Liss, deepAlexander, Alen Simple, Yusuke Yamamoto, Accatone, Eric Powa B, Jusa featuring V.Ray, Sebastien Desay, Joal, Harmon & Landowski, Solartoff, Hurlee, Johnny Deep (aka Yonathan Dahan), E-Klash, Daniel Ray, Rubba J, Onofrio Conte, Alan Castro, Victor Maximiliano and Contempo.
Back with another round of deep house goodness on Eyepatch is Victor Maximiliano and his three tracker “Nightlife Unlimited”. Victor continues to provide top quality productions and remains a regular feature on Bonzai Basik Beats Radioshow. His last outing “Some Mellow Deep” gained a lot of recognition from all over which is a testament to his branch of deep grooves.
First up is the Deep Mix of “Nightlife Unlimited”, chunky kicks and subtle percussions provide a solid base to build on as cool swirly synth chords break through. A deep bass punches through and is a perfect companion for the many house chords on offer. Smooth and steady rhythms that will be a great addition in any set.
“Gimme Some” intros with a smooth and groovy synth before a chunky kick punches in. Very crisp and sharp hats level things out and provide for a flowing rhythmic vibe. Wonderfully crafted synths in all shapes and sizes add a funky element and very clever arranging keeps things on track, great stuff yet again from Victor.
“Midnight Circus” goes straight into house mode from the off with an awesome kick and synth pad combination. A plucky bass comes through and creates a very upbeat groove with the percussions doing a great job on the rhythms. The track breaks into a massive synth driven riff filled with all the delights of a full on club fuelled vibe, expertly arranged and a definite must have!
DJ and producer Koen Mertens debuts on Eyepatch with the return of his Daddy moniker and this two tracker entitled “Hidden Mojo”. Koen began his music journey on an old Atari computer and sampler. He has played at many of Belgium’s top clubs and in the late nineties he created Daddy. Soon he was picked up by Bonzai and saw two fantastic releases “Rotationz” on Bonzai Fiesta and “Raw” on Bonzai Limited. With much more in the pipeline we are excited to see what the future brings for this top class talent.
“Hidden Mojo” intros with a multitude of percussions that sets the rhythm up nicely before the kicks and bass come through solidifying groove into a stunning deep house cut. Great vocal sample used adds depth to the track and on the break a fantastic 80’s synth melody pops up in a hands-in-the-air moment. Great stuff hear and a track that will turn a few heads for sure.
“The Mojo Is Here” goes deep with a tougher edge, from the off you get locked on the groove as hypnotic rhythms take hold. Superb background FX play a big part in this track as the layers are built around it. The baseline is something to be desired as it meanders through the groove delivering quality results. In contrast to the deep vibes a melodic flute sends a brighter note to the sound, top stuff.