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Twins in Mind is a new project inspired and created by three musicians who live in three different countries (Belgium, Greece and Canada).
The project name refers to their strong bond, which they describe as being brothers in heart and mind.
This bond and also their passion for music and especially Twins In Mind grew stronger and stronger, despite the obvious distance among them.
All three were inspired by the infamous musical project Enigma from Michael Cretu, so they decided to put their hands together to create this project which soon developed its own, new distinctive sound, fresh and deep enough to touch many souls in the world, no matter what continent, religion or age.
Skeptical? Take a listen and join the fantastic world of Twins In Mind with their first release and album Sad In Joy.
A mystical 51 minute chill out journey through 12 tracks spiced up with 5 bonus remixes by Cammiloo and an exclusive 48 minute continuous chill out mix from all album tracks.
Daniel Ray van Zyl aka Placid Larry has been DJing since 1999. Beginning his career in his native South Africa, Daniel has held residencies in Jo’Burg — better known as Johannesburg — and in Tshwane — better known as Pretoria — before setting his sights on the UK club scene, where he held residencies in London, Brixton and Southampton.
After a brief stint home, he moved to Bahrain where he has held a residency in premier restaurant and lounge “Zoe” for the past two and a half years.
For the past five years, Daniel has been honing his skills as a producer. His unique chilled house and down tempo electronica and chill out sound has seen his tracks being released on the renowned Lemon Grass Music label. Daniel continues to produce deep melodic soundscapes filled with thought and emotion, stemming straight from his heart.
Michele Cecchi is a veteran of electronic music, with 17 years of hard work to prove it,started his music career in 1997, on a radio program called -Future Releases-,presented by one of the most popular italian djs Freddy K. After the studies he decides to build a little home recordings studio in his house with a Roland JP-8080 a Drum machine and a TB-303 so starts to produce a lot of demos in different genres from techno to trance and hard house…but the quality of the tracks is still very poor.
In 2000 he writes The Mistery Inside, low quality but good melody…so spending a lot of weeks to work on that and with the precious help of DjMill&ManuelT and the producer Elvio Trampus from Nebula, he finally recorded his first vinyl on Uforecordings. This was the beginning;and consolidated the frienship with DjMill,in 2001 saw the birth of their new project Antithesys with the single World of Dreams, after that many others like The Gate and a lot remixes for Raptor,Black Runner,Rotar for Wicked records,Pleasent records,Uforecordings and Stik records followed.
Michele Cecchi is an eclectic music composer and his productions takes a wide range of genres from electronic,trance,techno,chillout and classic scores for soundtracks. In 2003 starts the collaboration with Emanuele Inglese wich brings an electronic-house influence to his own productions, so he decides to create another project to divide the genres which gives life to Michael K with the vinyl release Soap To Skin.
Both his current projects are defined by different kind of sound: Michael K (techno-minimal-house) Michele Cecchi (trance-chillout-electronic).
From 2008 to date he has produced for labels such as Bonzai records, Neurotraxx, Neuroscience UK and Trance All Stars Records
Maurice ten Brink:
In 1973, after my mother passed away, I held my first guitar. I had never played guitar before but could play Fur Elise instantly. After that I had classical guitar lessons until I was twelve years old. During this period I got interested in fx-equipment and synthesizers. In 1980 I met Rasta Robert with his home studio. In that studio he had some drum boxes, a Korg MS-20 synthesizer, guitars, percussion and some microphones. We used a 2-track recorder en pingponged all overdubs.
In those days I listened to producers like Lee Perry, Henry Junjo Lawes, Chris Blackwell, Steve Hillage and more. Dub engineers like King Tubby, Scientist and other founders of the dub, gave me the feeling you needed very little equipment to achieve a lot. Eventually I started producing in an 8-track studio in a youth centre (Poort van Kleef, working together with Sander Kleinenberg) and I joined many reggae bands as a mixer when they performed live.
I also composed music for some pop and reggae bands. From 1986 until 1993 electronic music became increasingly popular and important and the studio joined this digital revolution in 1991. I started working together with a computer freak who could do things on a Atari 24 ST that at that time amazed people. Later on I worked together with him on several productions including some work for Top Sound studio and the Harrow studio. In 1993 our team was reinforced by a dj from Rotterdam named Ricky the Dragon. Rick and I had worked together for Stealth Records; Dance (h)all night EP.
We also did some productions for among others DJ Raymond Heg and Sander Kleinenberg (Wonka). Eventually the youth centre was closed in 1994 and everyone went their separate ways. In the year 2000 in my own studio Raymond Heg and I made the EPs Dub U Always and Dark Dub for Wally’s Grooveworld and Babe Records. Within a short period of time my cooperation with DJ Thorin and Roelie van Lingen joined the MTR concept. We started the Promusic foundation to help people do more with music then only bedroom performances.