RECENT POSTS: FEATURED
Italian producer Marcus Raute is back at Piston with the fantastic two tracker, Without You EP. We last saw London based Marcus back in the summer of 2014 with Samplin’ Memories which went down a storm in all the right places. Since then he has notched up a raft of releases across various labels and solidifying his hold on the Deep House arena. He also recently played at the famous Ministry Of Sound in February 2015 and no doubt you will see him other top venues soon.
Echoes settles into an edgy slice of deep tech right from the off with a raw urbanised sound that locks you into its groove with nice punchy kicks tight percussions and a cool street vibe ambience. Deep house chords crop up from time to time alongside a tribalistic vocal and pave the way for a very cool percussion driven lead to the backdrop of rising pads that ebb and flow throughout. A real solid deep tech and tribal stomper that will not disappoint.
You Don’t Say intros with a real tribal vibe as tight drums and percussions lock horns alongside a very cool and subtle vocal. Rich, high strings make an appearance and give off some cool contrasts to the sound as a deep rooted bass lurks in the depths. The vocal has a huge impact on the track and soon draws a lot of attention with its pure house vibe. Superb stuff with a strong, powerful groove that will definitely dominate the floors.
The Muzika train just keeps on running, already we are seeing the 10th instalment featuring some of the finest Techno cuts around from the likes of Harun Karabulut, Patrik Prelovsky, Dr. Mabuze and Sylar.Harun Karabulut kicks us off with the fantastic Complex Gravity. Harun is no stranger to the Muzika series, he teamed up with Ozan Kanik on Volume 7 with Yavas Yavas back in 2014 and has been churning out quality cuts on various labels since. We’re delighted to see him back with this stomper. The track gets right into the bowels of Techno with chunky beats and a superb deep bass that packs a huge punch throughout. The tight arrangement is tied up with expertly crafted noise FX that sweep over the sound perfectly as classic chord stabs litter the groove. Top notch yet again from Harun, a track you will not want to miss.
Next up we have Patrik Prelovsky with Hypnotic. Czech Republic born Patrik quickly climbed the ranks as a DJ from a young age. He has shown up on various labels including Eyepatch Recordings, Mint & Mustard and many more with his brand of Techno fuelled cuts. Here, the track intros with a solid pumping kick drum and sharp accompanying hats and claps. A throbbing bass forms up from below and brings a hypnotic rhythm to the sound. Short and snappy percussive hits play a big role here and add to the infectious grooves within the track. Cool vocals litter the sound as stabby synths join in. A definite floor hitter that will have you hooked in for the duration.
Dr. Mabuze debuts on SRUR with Same Question and turns up the heat with his sublime Techno grooves. The intro sets the tone perfectly and takes us deep into the sound with muted kicks and downward spiralling notes. The kick drum transforms delivering a huge punchy hit alongside crispy hats that get the rhythm flowing with a little help from a tight drum arrangement. A dark tone develops as the track progresses with the introduction of an eerie, deep and raspy vocal. Powerful stuff that will keep the floors alive no doubt.
Sylar marks a full SRUR debut with Long Distance. We last saw him back in 2012 on remix duty for Calbos’s The Grind which was very well received. Today we get the full on deep experience right from the off as nice punchy kicks are joined by a rhythmic percussion section. Grainy synth stabs dominate the track with their sketchy lines and infectious aftertaste. The bass rolls through the sound perfectly and keeps the groove pumping while adding to the hypnotic flavour. A masterful slice of Techno that is not to be missed.
Finnish producing duo, Soft Knees, make a welcome return to Bonzai, this time around they show up on Bonzai Elemental with the sublime three tracker Lost Tapes. Soft Knees intros with a super smooth and grooving arrangement filled with cool electric guitars, deep droning basses and a slow drum creating a beautiful atmosphere. Distant voices come through and have a huge impact on the sound as the intensity rises with a nod to prog rock through electrified guitar riffs. A simply stunning slice of music that you need in your collection.
Cosmos Got The Blues takes us on a journey right into the heart of a blissed out, euphoric groove. The track meanders along at a steady pace and offers up some real cool synth sequences that rise consistently throughout. Subtle melodies filter through also and accompany the dirty style bass brilliantly. The second half of the track delves into the murky world of the blues as electric guitars unleash their woe laden riffs. Hypnotic and mesmerizing, you will definitely come back for more on this one.
AI Dub rounds off this fantastic pack with its surreal intro filled with spoken words sounding off numbers as a soft and melodic synth rises up. A very warm bass soon joins in alongside a smooth drum arrangement before a much dirtier synth takes over. As the track progresses you can feel the intensity rise as those synths become beefier and take on a much more organic flavour. A very cool breaks – rock hybrid that is chock full of wonderful electronic sounds.
Matt and Manu are back in duo form again with another sublime, tantalising progressive cut. These guys are currently hitting top form with their works, they set the bar high when they delivered You Are Contagious back in February and without doubt they have maintained their attention to quality this time around. So much going on at the moment for these guys, individually and together. They have successfully launched their own radioshow Ethnoscience and have appeared as guests on many other shows over the last few months including a spot on The Diversity of Progressive. Manu continues his run of top notch pressings with remixes for various artists including his own remix on Blufeld’s A World Less Ordinary and with Matt on Dark Soul Project & Mathov featuring Fe Malefiz’s We Are Not Alone. He is also working alongside another superb artist on a new project which we will learn more about soon, so stay tuned. Matt also continues to deliver the goods, he is a constant feature on Joof and has a brand new single coming very soon on Bonzai Progressive as well as a feature on Recoverworlds newest compilation. Lots of things happening for Matt in the coming months covering both releases and DJing, so keep an eye out as he could be playing somewhere near you soon.
Submerged Needs intros with a dark atmospheric vibe as tight drums combine with a nice big chunky kick and FX that lurk in the background with a sinister edge. A deep throbbing bass shores up the rear as various layers begin to rise including rich strings and a superb ethnic voice. A short break winds down before we get locked into the solid grooves of the track complete with chugging bassline and fantastic synths. A subtle melodic flavour rings throughout the sound as we are led deep into the progressive world. The main break throws up more of that stunning ethnic flavour and a colourful selection of sounds before getting right back into full on mode. A truly deep slice of progressive that is not to be missed.
Silence In My Head can only be described as a stunning piece of work. A super tight construction filled with punchy kicks and a bassline that melts into the groove beautifully while chugging right through the sound. A superb display of various little synth shots litter the groove and build a kaleidoscope of perfectly matched sounds. On the break we find ourselves deep within a classic progressive vibe as a haunting vocal comes through alongside a sweet melodic sequence. The lead synth is where it’s at here and coupled with that driving bassline we get a nod to the great days of progressive sounds. A big hitter here that will definitely be featuring in many, many sets all over.
Debut appearance on Bonzai Progressive for Tomin, Aniko and Cherif with the wonderful deep progressive tones of Summer’s Gone. First time venture for this trio of artists with each bringing their own unique flavour to the table. Bratislava based Tomin has been around the scene for quite a while having started out in 2004 as resident DJ in Exit and Mecca before getting his teeth into music production. He has flirted with many styles of music but always brings out a deep emotional vibe.
Summer’s Gone Original Mix gets right into a smooth groove right from the off with those punchy kicks and subtle drums which are contrasted by snappy, sharp claps. In the background a nice melody floats around before the track takes a nose dive into progressive depths with a superbly deep and throbbing bass that will have sub woofers quaking. Cool synth notes litter the sound and form a textured layer throughout as sweeping pads and strings dish out a cool atmospheric vibe. On the break the track whittles down to reveal a super sweet melody as soft plucks are faced off by that bass before we are plunged back into the groove for the duration. Top notch cut here you will definitely want in your collection.
The Deeper Dub Mix of Summer’s Gone takes on a deeper role as the more progressive elements are enhanced. That deep throbbing bass remains and is a big focus in the sound alongside very subtle synth plucks and chords. As the track evolves we are drawn into the depths as the hypnotic groove takes hold of your senses. The break throws up a hint of melody but is overshadowed by that powerful bass. One for the late night sessions here, a must have.
Divergence intros with a cool drum arrangement that boasts cool hat and percussion patterns alongside a muted kick. That kick gets its punch on soon after as the layers build creating a nice, flowing pro house groove. The bassline comes at us with a merciless reverberating prowess that will definitely have the floors shakin. Colourful textures evolve from the various synth sounds on offer as the track mesmerizes with each phrase. Tucked away deep inside the track are subtle house chords that adds a great character to the sound. A relentlessly powerful track that will sit well in the deeper sets for sure.
Brett Lawrence is back at Piston with the superb Just Jestin’ EP. His last outing Different Heat EP was very well received and you can rest assured that this new cut will turn a few heads. Brett has been around the music scene for quite a while now and he remains as dedicated as ever. After shuffling around the UK organising parties, DJing and clubbing he settled in London where he established the thriving Assembly Records which continues to be a go to label for uncompromising sounds.
Just Jestin’ intros with a tight drum and percussion arrangement that gets the rhythmic juices flowing beautifully. A butt shakin bass soon takes over and will definitely have the floors rocking to its deep and lush groove. Cool synths flutter throughout the sound and really bring forth that true house feeling. On the breaks we are treated to a superb display as a wall of synths rise up alongside filtered kicks and bass before we slam right back into full on mode. Definitely one for the boxes here that will not disappoint.
Tear It Up brings home a real sense of deep house right from the get go with its chunky kicks and bobbing bass. Cool crispy hats and snappy claps deliver a solid rhythm to the sound as that bass continues to hold power in the groove. Smooth keys begin their journey as they fade up into the groove alongside scattered vocal hits. But, it’s that bassline that will have punters coming back for more, a must have slice of deep goodness.
Altek debuts on Green Martian with the tantalising Control EP. Hailing from El Paso, Altek has been influenced by lots of different genres which have shaped his sound today. In mid-2000’s he became more involved with electronic music, particularly deep house, progressive house, minimal, techno, and trance. He started DJing in 2006 and was mainly focused on trance but changed direction as he looked more into progressive sounds. Now residing in Austin, TX and thanks to the help from RealMusic Events, Electric Avenue ATX †and Hypersonic Radio, today Altek can showcase his record box at local clubs (Kingdom and Lania) which contain sounds from Cid Inc, Stas Drive, Hernan Cattaneo, Nick Warren, Guy J, Guy Barone, †Mike Griego, Marcelo Vasami, Andrea Cassino, Anthony Mea, Addex and many more underground house hold names. He started producing back in 2007 when he took piano and music theory lessons which in essence have helped with his understanding of music.† After many years of learning and practicing, he got recognition for his remix on One of Use, One of Them by Lukajieff. Delighted to have him on board and we look forward to more.
First up we have the slinky progressive house grooves of Control. A tight punchy kick intros with cool atmospheric sounds coming through in the background. The track breaks early to reveal a fantastic dancing bassline that will definitely get the floors moving. The bassline melds into the groove as cool vocals blend in alongside subtle melodies. On the main break we get drawn into a superb melodic sequence filled with sweeping pads and lush synths. A real smooth slice of prog here that will not disappoint.
Coven intros with a cool melodic arp as deeper tones go off in the background. A nice and phat kick soon takes over and we begin our trek into a true progressive house groove. Smooth swelling pads rise up alongside a superb bass that meanders along in its slinky groove. Fresh sounding synths bring an air of brightness to the sound and on the break we get a taste of a very cool lead that ties the track together beautifully. Perfect fodder for an early morning session, not to be missed.
Rounding up this fine EP we have Bayside Drive with its classic intro filled with a surreal atmosphere that builds and builds with a blissful flavour. Cool synth arps deliver a subtle melody as the track evolves and takes us deeper into the groove. Sleek percussions dish out a solid flowing rhythmic vibe as we head into the break where we are drawn into the sound even more with a little help from a smooth melodic groove. A top class progressive house experience that will turn a few heads for sure.
Alex Wolf and Claas Herrmann join forces on the techno fuelled Wormhole EP. These two young German producers have been around for a while now and have worked together in the past on Captiol Input. Alex started out at a young age and found himself immersed in Minimal Techno vibes. In 2011 he began to produce his own material and gained a lot of support with his first release Drugs All Night. Soon after he embarked on a new journey when he got the DJing bug which led him to play at lots of top parties. Claas also started out in music when he was young, his first release Unknown Groove was snapped up by many labels and spread around the globe with much support. He also DJ’s regularly alongside some of the world’s top jocks.
Wormhole is a straight up techno stomper with big chunky beats and a hypnotic groove that locks you right in for the duration. A deep probing bass rocks the speakers with its raw power and sits perfectly at the lower end. Cool FX litter the background and pair up brilliantly with a tight drum arrangement. Definitely a big hitter that will dominate the floors.
Vortex goes in for the kill with a tight construction filled to the brim with punchy kicks and shuffling hats that dish out a solid rhythmic flow. The bassline dominates in a simplistic style that hooks you into its grip for a deep and groovy ride. Grungy synths fill out the break as a riser takes us back into full on mode, top notch stuff you will not want to miss.