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New York City based DJ and producer James Gill debuts on Progrez with the stunning two tracker ‘Deep Meditation’. James has been around electronic music for over 16 years and is a fully trained studio engineer. He has seen his music appear on top labels since 2010 and his efforts have been supported worldwide by some major players on the scene.
‘Deep Meditation’ is up first and on the intro a deep pounding kick powers up the groove with cool percussive effects lending support. The bass eases its way through as it bubbles from below before driving the sound on relentlessly. The break leads the track perfectly into its next stage as a superbly worked synth with an acid line feel takes over. Subtle melodies lie in wait as teasing pads begin to filter through. Quality stuff from James and a must for any box.
‘Icarus’s Wings’ intros with a full on chunky kick and hat combo with some cool percussion sounds adding weight. The bass rises from the depths and gives the track a robust vibe while creating a hypnotic groove. Pure deep progressive vibes are what we get here and will be sure fire hit with many jocks the world over.
Spanish DJ and producer Vicente Moll pulls out all the stops and drops this monstrous Techno bomb on us. The ‘Underground EP’ gives you three reasons why you should add it to your playlists and you will not be disappointed!
First up is ‘Underground’ with its huge bass fuelled techno grooves. The intro sets off with a smooth kick and clap as a deep bass lurks behind waiting to pounce. A surreal deep vocal is the perfect addition and leads us up to the point when the bass comes at us with a driving pulsating force. Subtle note changes on the bass add cool textures and some fantastic percussion arrangements give the track polished rhythms. A very simplistic track in its nature yet packing a massive punch and one that you will not forget.
‘Earthquake’ is up next and delivers a fine lesson in the art of Techno. The intro boasts strong rhythmic vibes as a tight arrangement of percussion go to work alongside a snappy kick and a deep rolling bass. The deep resonating bass is a big feature on the track and adds an air of darkness to the sound, but this does not detract from the percussions which are also a real driving force. An array of quality FX adds weight to the groove and a monster is born, get this in your box and watch the floors ignite!
‘Towering’ delivers a round of top quality drum and percussion patterns on the intro giving off a tribal vibe. A deep pumping bass dominates the track as multiple drum instruments get to work on the groove and held tightly in place by a superb kick. The break offers up a great vocal sample which sits nicely under the tribal rhythms of the drums and cool FX add raw textures. Stunning stuff out of Spain and a must for any box.
Afterhour Trax 11 comes with original tracks and remixes by Airwave, Jimmy Galle, Inkfish, Nico Parisi, Matteo Monero, Domased Electronica, Sector 7, Audio Noir, Aamon, Tolga Diler, Kintar, Rishi K., Thorin, Relaunch, Noa Romana, Deersky, Aggressor, Ivan Nikusev, JJ Grant, Napalm & D-Phrag, Blufeld, Castra & Sovve, Matan Caspi, Anthony Yarranton, Dark Soul Project, Mindgamers, Cordoba, DeepDoul Duo, CJ Art, Jonny Calypso, Dafar, Flembaz, Jakhira and Kindred Spirits.
#Airwave #JimmyGalle #Inkfish #NicoParisi #MatteoMonero #DomasedElectronica #Sector7 #AudioNoir #Aamon #TolgaDiler #Kintar #RishiK. #Thorin #Relaunch #NoaRomana #Deersky #Aggressor #IvanNikusev #JJGrant #Napalm&D-Phrag #Blufeld #Castra&Sovve #MatanCaspi #AnthonyYarranton #DarkSoulProject #Mindgamers #Cordoba #DeepDoulDuo #CJArt #JonnyCalypso #Dafar #Flembaz #Jakhira #KindredSpirits
10th instalment in the Pure Chillz series, this time with original tracks and remixes by Phi Phi, Airwave, Kuntac, Thorin, Moshic, Jessy Winters, Blufeld, Kajis, Subtara, Esthetics, Horizons, Domased Electronica, Plasm, Luke Kay, Rico Casazza, Mlab, Watts & Ohms, Franky Flowerz, Cordoba and F-Act.
#bonzaielemental #PhiPhi #Airwave #Kuntac #Thorin #Moshic #JessyWinters #Blufeld #Kajis #Subtara #Esthetics #Horizons #DomasedElectronica #Plasm #LukeKay #RicoCasazza #Mlab #Watts&Ohms #FrankyFlowerz #Cordoba #F-Act
Crocy’s previously released ‘Cry’, featuring the vocals of Ashley Berndt, gets the remix treatment in this superb pack. The remixes come courtesy of some of Bonzai Progressive’s hottest artists at the moment, notably Audio Noir, Steve Sai and DaSmokin’Frogz.
First up we get deep into progressive grooves with Australian producer Audio Noir and his Sound Of Eden Remix. Phat chunky kicks get the grooves flowing and are soon joined by a bubbly bass that rises from below. Crispy hats and well crafted percussions provide a steady, flowing rhythm alongside smooth vocals. The break offers up a beautifully surreal sequence with warm pads and that sensual vocal on top of the contrasting deep bass. Superb prog house journey not to be missed.
Steve Sai delivers a solid house groove on his remix as cool thumpy kicks get the track moving with intricate percussion patterns coming through effortlessly. The now trademark deep bass on this track is the perfect companion to the sultry vocals of Ashley Berndt. In the background subtle melodies are woven through cool pads and synth keys. The track culminates in a true prog house groove that will have any floor shaking.
Rounding off this superb pack we have DaSmokin’Frogz Remix. Here the track is given a proper deep tech house makeover. The intro boasts a classic kick and hat combo which leads into the very raw, organic bass that dominates the track. Cool electro styled samples pop up along the way and add smooth textures to the sound. The break is filled with a myriad of blips and bleeps that contrast well alongside the warm pad and stunning vocals before building back up to the main track where we get locked into this solid groove once more, superb stuff.
Belgian DJ and producer Nico Parisi releases his latest work ‘Soulit’ which comes with three wonderful remixes. Nico’s tracks have been featuring heavily on many sets and charts in the last 6 months or so. Most notably his track ‘Caress’ (Philthy Chit Remix) was a popular choice on Paul Oakenfold’s Full On Flouro show. A testament to the quality on offer from one of Belgium’s legendary artists.
First up the Original Mix gets us going with a very smooth progressive vibe, the intro boasts a melancholic soft melody which gives rise to a superb throbbing bassline. Nice big kicks enter and deliver cool rhythms with the help of tight percussion arrangement. The track builds beautifully as the melodies unwind and dominate the break. Cool vocal samples come through on the break as the synths intensify before slamming back into full on progressive mode for the duration. Excellent stuff from Nico and no doubt we will be seeing a lot of this track in the future.
Sector 7 aka M.I.K.E. is up first on the remix with a proper gritty progressive edged workout. Mike, as you would imagine continues to be an extremely hardworking DJ and producer with gigs taking him all around the world. Back at his New York base he delves into his studio to churn out some of the finest tunes around and this remix is no exception. Pumping kicks alongside a powerful vocal get the track started while cool percussive elements build nicely and stamp out flowing rhythms. The bassline plunders in and the whole dynamic changes taking us deep into the progressive sound. Cool synth riffs wait patiently in the background before being unleashed on the break in all their glory. Stunning work from Mike and sure to draw a lot of attention.
Audio Noir sure does get around. Not content with his own quality productions, he lends his skills to other tracks with outstanding results such as this. Audio Noir’s Pressure Mix takes the progressive vibe on the original into the deeper realms. From the get go we are drawn in by a chunky kick and tribal led percussion arrangement with a massive resonating bass coming from way down below. The vocals are used well with a classic sample thrown to great effect. Intense synths sit back as the bass morphs into a metallic sounding riff that dominates the break before the synths show their full force. More top quality prog out of Australia that is most definitely not to be missed.
Rounding up this pack we have Netherlands DJ and producer Thorin. Thorin has been responsible for a litany of top class releases through various Bonzai imprints in recent years and he is also an very much in demand remix artist and DJ. The remix blasts into existence with a monster kick grungy bass combo, percussions slowly build and lead to a fiery rhythm. The vocals have been give a gritty makeover adding to the dark edge on the track. Fantastic synths loiter in the background as hypnotic sound dominates throughout. The break offers a softer side to the track before crashing right back into that solid progressive groove. Simply stunning from Thorin and will no doubt feature in those tougher edged sets.
Tom and Andre are back to Green Martian with the stunning ‘Marcahuasi’ along with a brilliant remix by none other than Velvet Girl.
The Original Mix is a smooth progressive house cut filled with a deep, lush groove which emanates from the bass and accompanying sweet melodic sequences. Chunky kicks and sharp hats provide the intro as well as some very sleek synth work. The track transforms when that bass comes through, it totally takes over the sound and locks you right into its vibe. Beautifully contrasting sounds work so well together as the track captivates the mind body and soul. Top stuff from the guys.
Velvet Girl aka the legendary Airwave gets to grips on the remix, and what a stomper he has in store. Huge big kick intro with a beautiful rising chord sequence which takes into progressive house utopia. A throbbing, unwinding bass is let loose and gives off an air of funk into the sound, this is coupled with some quality echoing arps and serves to deliver a stunning groove. The structure is built brilliantly as the layers produce a myriad of sounds that take you far away. Aside from that bassline the big hitter is a superb, groovy riff which is a very cool dynamic on the track. Amazing slice from Laurent and a must to be played out and cherished by many.
Italian DJ and producer Ivan Masa debuts on Eyepatch with the sublime three tracker ‘From London EP’ which also comes with two superb remixes to whet your appetite. Ivan grew up with music all around him so it’s no wonder his path led him to become involved in music. Having played at many gigs around his hometown Ivan soon found his niche within the early Acid sounds of the eighties. With successful releases across many labels we are delighted to welcome this great talent in the Bonzai family.
‘From London’ is up first and sets off on a smooth deep grooving ride as chunky kicks and sharp hats take over from a cool percussion led intro. Surreal chords are accompanied by a high pitched synth adding cool textures to the sound. The deep bass lifts the track up a notch and is soon joined by some vocal samples and a round of grungy synths, superb stuff!
The Original Mix of ‘Old School In My Skin’ has a very cool retro theme as expected from the title. A single high string is joined by a percussion line and a very cool vocal sample. Big phat kicks soon come through as a groovy bassline takes shape alongside funky house synths. The main break delivers a cool chord sequence with some quality snares taking us into each section before blasting back into this deep fuelled groove, top notch stuff!
Italian DJ and production duo 2Manyfold aka Francesco Fortini and Giovanni Martino are up on remix duty on ‘Old School In My Skin’. The guys have worked with Ivan in the past and have themselves released a multitude of track across many labels. Here they transform the original into a full on deep fuelled masterclass in house music. Nice and smooth snare driven intro with cool synths making their mark. The kicks really set the track up perfectly for the journey ahead with the vocal samples fitting in perfectly. The track evolves beautifully as a big bass sound bursts through to dominate. On the break a very well crafted synth sequence shines through before some smooth chords take over, excellent workout from these guys and definitely one to watch!
‘Sweet In My Heart’ is up next and intros with a fantastic vocal which soon leads to a massive kick and bass combo that will pump any floor. Big and bouncy grooves abound and as the sound progresses we get some funky synths and vocals which add huge character to the proceedings. Big tune here and a must for any box.
The Italian connection continues as Daniele Kama steps up to remix ‘Sweet In My Heart’. Daniele has already carved a cool niche with his sound and has appeared on the home of deep house, Piston Recordings, with his EP ‘She Appears’ in 2012 as well as other remixes on various Bonzai imprints. Here he keeps the deep grooves flowing with a stunning display of sounds. Nice and smooth intro as a sweeping synth is accompanied by a single clap, soon a huge kick appears and is suitably coupled with a pounding deep bass. The vocals are prominent throughout and on the main break they marry well with a dry, sublime melody. A sure fire big hitter here with all the qualities to rip up any floor.
Italian DJ and producer Dani Bosco returns to the Bonzai stable after his last outing on Green Martian with ‘Time & Money EP’. This time around sees ‘When The Run Stops’ on the super chilled Bonzai Elemental imprint.
The Original Mix of ‘When The Run Stops’ can only be described as an epic trip through chilled out vibes. Deep thronged pads and contrasting bright melodies provide the intro before a round of downtempo percussions give off a smooth rhythmic drive. Big kicks come through on every other bar creating a monster groove. The break delivers a cool tripped out sequence filled with a wonderful array of sounds giving a sense of bliss before those kicks invade the space once again, top notch stuff!
Next up is the Reiki Mix, 54 minutes of pure no holds barred tripped out bliss. Prepare for this unadulterated trip through sweeping melodic pads and blissful awareness as the sounds cascade through your mind. Beautifully sequenced melodies will fill you with euphoria as deep droning basses keep you locked in to the sound. Perfect fodder for those cosy evenings where you can dust off a hard day’s work and open your mind in a contemplative mood. Highly recommended therapy session for all!
Deep, deep, deep… There’s no more words to describe this release, it’s classy, it’s tasty and it’s ultra sweet. The original track was made by Haustuff & Leesboon with the colaboration of Jonny Keys. The Duo behind the concept is constituited by one Portuguese and one Brazillian and this convergence result in a catchy tech-house track which brings the groovy side of its tech character without losing any of its deep soul.
Ricardo Albuquerque is one of the guest remixers. Maybe some people dont know but Ricardo is one of the Warung Beach Club guys. One of the most famous clubs in the world and probably the most famous in Brazil these days. Aside of this references, Ricardo justifies all of this hype with an addictive deep track. You will notice the leads, the groove made by the drums, but what will get you hooked on it is the outstanding bassline phrase. We simply love it!
B. King, it’s not another guy to fill the package. Yes its true the work of the last contender on this pack its tough. But this guy shows from what matter is made. Bassline apart, which is lovely, the sinthesized glided strings are something else, believe us, you will want to listen this in repeat.
The ever popular Matan Caspi serves us up another tasty progressive treat in the shape of his latest works ‘I Wanna’. His last outing ‘Muddy Waters’ gained much support and is testament to the talent on offer from this guy. This release comes with two top notch remixes from top notch producers.
The Original Mix sets off with a percussion led intro with a snippet of funky keys peeking through. The kicks fill out the track nicely and a deep resonating bass gets the groove flowing. Nice and steady house vibes with a cool vocal coming in adding to the funky nature within the sound. The break reveals much more on the vocal front with the funk levels rising ten-fold through some very cool keys and pads, superb stuff from Matan and not to be missed!
Slovenian DJ and producer Matevz Crocy aka Crocy knows no bounds when it come to top quality productions and remixes as he always delivers the goods, and then some. His last release ‘Rotten Hour’ is currently doing the rounds and getting much attention. On the remix here Crocy beefs up the sound with chunky kicks and a wonderful deep infectious bass that forces those hips to sway. Super tight percussions provide a solid rhythm as the occasional synth makes an appearance. Aside from that bass the next big focus here is the use of the vocals, they are used perfectly and really set the track off brilliantly, cracking stuff and a must for those groovy late night parties.
Next up we have Daddy aka Koen Mertens on the remix. Koen has blasted out some great work in his time, but recently he has ramped things up a gear. In the last few months he has knocked out some fine original work alongside top quality remixes. Most notably his tracks ‘Hidden Mojo’ and ‘Accelerator’ saw big support across the board and we hope there is more to come from this guy. The remix intros with a cool kick and hat combo, a vocal sample fades through before a the bass ploughs in. The bass is a big focus here as more vocals play along into the groove. Some awesome acid type sequences show up on the break giving a new dimension to the track. Superb stuff from Koen!!
Quincy debuts on Bonzai Progressive with the fantastic ‘In Balance’ which is backed up with two outstanding remixes.
The Original Mix intros with a classic kick and hat combination which sets the pace of the track up beautifully. The deep bass is accompanied by a cool riff that evolves as the track progresses. Cool rising pads lead into a superb break filled with melodic sequences and some nifty percussions before getting right back into the groove. Great stuff here and a definite must for the more upbeat prog sets.
Belgian duo Benoît Franquet and Cedric Piret aka Pole Folder & CP reunite to deliver a stunning remix. The guys have collaborated well in the past with releases on Bedrock Records. Individually they have reached the pinnacle of their respective careers and have gained much respect in the process. Here they work up a cool progressive vibe as the track intros with a sharp hat and a smooth arp that dominates the sound. Nice kicks fade in setting up a very cool rhythmic arrangement with the help of quality percussions. A deep resonating bass beefs up the sound and adds to the hypnotic tendencies as a result. In contrast, a sweet pluck adds a beautiful texture, superb stuff!
The legend that is Airwave is next up to remix duties with his now signature Breaks Mix. Laurent has proven time and time again this his status as legend is very well deserved given the quality of his own material and also the quality he pours into remixes like this. Very subtle intro with some FX and percussions, a rising cymbal is greeted by nice and chunky kicks in breaks style. The ever teasing synth pads weave intricate melodies that just sit back and create an air of beauty. The beats are ever evolving and in full swing they are something to behold and when the melodies burst forth you get an intense euphoric vibe which just feels right. An incredible remix and no doubt will be very well received!
Piston Recordings label boss Rogério Martins is next up on his own well-established label with a new track that gets plenty of great remix treatment from Joss Moog, James Dexter and JR From Dallas.
Martins has steered his label through a dizzying amount of quality releases since 2007 picking up support from the likes of Laurent Garnier and John Acquaviva who have confirmed themselves as fans in the past and this new release is sure to find just as much favour with the top dogs.
‘Gonna Be Mine’ is the one Martins original and is a classical inclined bit of mature house music with sombre piano chords draped over nicely shuffling percussion. Subtle human sounds litter the arrangement and more lively stabs enter the fray in the latter half but essentially this is all about the warm and inviting groove.
Remixing first is Paris man Joss Moog, who has released on Robsoul and has a very uniquely musical approach to everything he does. Here he reworks the track into a bit of authentic old school disco with knotted basslines, plenty of vibrant and jangling percussion and warm chords. It’s a great rework and he also provides an exclusive digital only remix that is even more unhinged, funky and freewheeling.
Next up is young UK house talent James Dexter, who has appeared on plenty of great labels in this, his breakout year, and shows why he is so rated with this remix. It’s a stripped back and dubbed out, firmly rooted bit of house music for the heads with tough beats are and lush chords. Closing out the package is Gourmand Music boss and Chicago House purist, JR From Dallas. His Ghetto mix is suitably quick licked, dirty and sleazy, with plenty of abrasive percussive loops rattling along next to busy drums and various vocal sounds.
For house heads there can be few better labels than this, and Piston’s latest offering might just be its best yet.
Belgian DJ and producer Van Czar delves into his ancestry and discovers his own African roots. Van has an ability to deliver quality productions every time, from Techno to House, he always puts his soul into his sound. Drums and percussions are big elements in his sound and with his ancestry we can see how he is able to tap into this and create purely soulful, outstanding rhythmic structures. Here we see Van recruit a few of his friends to contribute to the wonderful ‘African Roots’. Nine tracks filled with all the goodness of house and techno and burgeoning with tribal driven grooves.
Top Belgian DJ and producer Eric Powa B gets us going with ‘Supafly’. The intro boasts a penetrating tribal rhythm with some well constructed drum patterns. Nice and crisp hats sit over a cool chunky kick while some vocal samples add texture. The bass is the big hitter here as it pulsates through the groove keeping you locked in. On the break we get some awesome tribal chants which gives the track character, superb stuff from Eric and a wonderful start to this project.
Van is joined by New York based South African DJ and producer Brendon Moeller aka Echologist on the title track ‘African Roots’. Brendon has been around recording studios for a long time with a very respectful list of releases to his name and under various guises. The track takes on a tribal vibe right from the off as a myriad of drums weave out intricate patterns resulting in smooth rhythms. Nice crisp hats accompany a full kick giving the track a techno edge. Vocal samples ebb and flow in the track and add to the tribal textures. The break gives off a sweet string sequence adding a cool contrast to the sound. The track powers on and releases an acid line late on which further enhances the sound, wonderful stuff!
Next up we have Surasela with ‘Southern Attraction’. Cool percussion led intro which shapes up into a fine flowing rhythm. Chunky kicks and brilliant hats come through alongside some really cool deep chanting vocals. Simple synth notes add a beautiful texture to the sound and marry well with driving nature of the groove, top notch!
Darouge is up next with ‘Around The Corner’. Darouge was first introduced to electronica through listening to top trance and progressive jocks and as time went on his musical preferences changed. After attending many different styled parties he began to settle on house music with minimal tech and techno being his main focus. His last outing through Bonzai was his ‘Displacement EP’ on Eyepatch. Here he keeps with main theme behind the album and focuses on tribal rhythms with outstanding results. Expertly crafted drum and percussion patterns form up into driving rhythms with vocal samples thrown in. A truly deep throbbing bass shores up the grooves while on the break we get treated to a beautifully tweaked, hat, drum and vocal workout which builds back up to full on techno delight.
Van’s ‘Tobassi’ is next, the track intros with a slowly fading in beat accompanied with sharp slappy drums and cool hats. Powerful kicks give off a classic techno vibe and the drums intensify building to a sublime tribal rhythm. The break brings in surreal African chants which blend perfectly with the beats. Van has gone down the full on tribal route here and what a brilliant job he has made of it, simply stunning!
Swiss producer Mark Kavas and relative newcomer Peter Storm deliver a stunning tech fuelled slice with ‘Fennec’. Right from the off the track takes a cool tech edge with phat kicks and well balanced hats building the platform for a superb ride through the deeper side of tech house. Fantastic carnival-esque drums pop up and are the perfect companion for the gritty bass that dominates the sound. Sweeping FX make a show alongside cool and subtle synth work. Great track from these guys and a must for those deeper sets.
Mexican DJ and producer Ritch Mollen gives the vocal fuelled ‘Togo’. Ritch made his Bonzai debut with ‘Enough Of Disco’ at the start of 2013. He delivers the goods yet again with this electro-tech monster. On the intro we get a classic kick and hat combination which leads into a very cool male vocal which is a big attraction on the track. A tough bass soon follows taking much of the focus as it powers through the sound. Superb electro snares bring in each section with great effect and gives the track a surreal diversity, top stuff!
Van and Brendon Moeller aka Echologist give us a Dub Mix of ‘African Roots’ which is a full on jaunt through the deeper side of techno with tribal elements. Very dark atmospheres are created with dull thudding drums and beautifully crafted bassline that dominates the sound. Vocal samples give a hypnotic vibe and really set the track off. A hell of a ride this one and sure to be a big feature in many sets.
Spanish, veteran DJ and producer Mauro Nakimi delivers his track ‘Black Cube’. Mauro has been active on the scene since 1991 when he was big into the jungle, breakbeat, hardcore scenes. He became a regular feature around London playing at all the big clubs and in the mid nineties he began to write his own music. This resulted in numerous releases across many top labels. Today he sticks mainly to Techno as evident within this superb track. Big chunky kicks and percussions get us going along with the odd vocal sample. The percussion are very well arranged giving off smooth flowing rhythms as a deep rooted bass brings up the rear. As the track evolves many different elements combine giving a Techno flavour, on the break this is magnified with a brilliant deep bass arp that teases throughout the rest of the track. An epic ride that is not to be missed!