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Deep, deep, deep… There’s no more words to describe this release, it’s classy, it’s tasty and it’s ultra sweet. The original track was made by Haustuff & Leesboon with the colaboration of Jonny Keys. The Duo behind the concept is constituited by one Portuguese and one Brazillian and this convergence result in a catchy tech-house track which brings the groovy side of its tech character without losing any of its deep soul.
Ricardo Albuquerque is one of the guest remixers. Maybe some people dont know but Ricardo is one of the Warung Beach Club guys. One of the most famous clubs in the world and probably the most famous in Brazil these days. Aside of this references, Ricardo justifies all of this hype with an addictive deep track. You will notice the leads, the groove made by the drums, but what will get you hooked on it is the outstanding bassline phrase. We simply love it!
B. King, it’s not another guy to fill the package. Yes its true the work of the last contender on this pack its tough. But this guy shows from what matter is made. Bassline apart, which is lovely, the sinthesized glided strings are something else, believe us, you will want to listen this in repeat.
The ever popular Matan Caspi serves us up another tasty progressive treat in the shape of his latest works ‘I Wanna’. His last outing ‘Muddy Waters’ gained much support and is testament to the talent on offer from this guy. This release comes with two top notch remixes from top notch producers.
The Original Mix sets off with a percussion led intro with a snippet of funky keys peeking through. The kicks fill out the track nicely and a deep resonating bass gets the groove flowing. Nice and steady house vibes with a cool vocal coming in adding to the funky nature within the sound. The break reveals much more on the vocal front with the funk levels rising ten-fold through some very cool keys and pads, superb stuff from Matan and not to be missed!
Slovenian DJ and producer Matevz Crocy aka Crocy knows no bounds when it come to top quality productions and remixes as he always delivers the goods, and then some. His last release ‘Rotten Hour’ is currently doing the rounds and getting much attention. On the remix here Crocy beefs up the sound with chunky kicks and a wonderful deep infectious bass that forces those hips to sway. Super tight percussions provide a solid rhythm as the occasional synth makes an appearance. Aside from that bass the next big focus here is the use of the vocals, they are used perfectly and really set the track off brilliantly, cracking stuff and a must for those groovy late night parties.
Next up we have Daddy aka Koen Mertens on the remix. Koen has blasted out some great work in his time, but recently he has ramped things up a gear. In the last few months he has knocked out some fine original work alongside top quality remixes. Most notably his tracks ‘Hidden Mojo’ and ‘Accelerator’ saw big support across the board and we hope there is more to come from this guy. The remix intros with a cool kick and hat combo, a vocal sample fades through before a the bass ploughs in. The bass is a big focus here as more vocals play along into the groove. Some awesome acid type sequences show up on the break giving a new dimension to the track. Superb stuff from Koen!!
Quincy debuts on Bonzai Progressive with the fantastic ‘In Balance’ which is backed up with two outstanding remixes.
The Original Mix intros with a classic kick and hat combination which sets the pace of the track up beautifully. The deep bass is accompanied by a cool riff that evolves as the track progresses. Cool rising pads lead into a superb break filled with melodic sequences and some nifty percussions before getting right back into the groove. Great stuff here and a definite must for the more upbeat prog sets.
Belgian duo Benoît Franquet and Cedric Piret aka Pole Folder & CP reunite to deliver a stunning remix. The guys have collaborated well in the past with releases on Bedrock Records. Individually they have reached the pinnacle of their respective careers and have gained much respect in the process. Here they work up a cool progressive vibe as the track intros with a sharp hat and a smooth arp that dominates the sound. Nice kicks fade in setting up a very cool rhythmic arrangement with the help of quality percussions. A deep resonating bass beefs up the sound and adds to the hypnotic tendencies as a result. In contrast, a sweet pluck adds a beautiful texture, superb stuff!
The legend that is Airwave is next up to remix duties with his now signature Breaks Mix. Laurent has proven time and time again this his status as legend is very well deserved given the quality of his own material and also the quality he pours into remixes like this. Very subtle intro with some FX and percussions, a rising cymbal is greeted by nice and chunky kicks in breaks style. The ever teasing synth pads weave intricate melodies that just sit back and create an air of beauty. The beats are ever evolving and in full swing they are something to behold and when the melodies burst forth you get an intense euphoric vibe which just feels right. An incredible remix and no doubt will be very well received!
Piston Recordings label boss Rogério Martins is next up on his own well-established label with a new track that gets plenty of great remix treatment from Joss Moog, James Dexter and JR From Dallas.
Martins has steered his label through a dizzying amount of quality releases since 2007 picking up support from the likes of Laurent Garnier and John Acquaviva who have confirmed themselves as fans in the past and this new release is sure to find just as much favour with the top dogs.
‘Gonna Be Mine’ is the one Martins original and is a classical inclined bit of mature house music with sombre piano chords draped over nicely shuffling percussion. Subtle human sounds litter the arrangement and more lively stabs enter the fray in the latter half but essentially this is all about the warm and inviting groove.
Remixing first is Paris man Joss Moog, who has released on Robsoul and has a very uniquely musical approach to everything he does. Here he reworks the track into a bit of authentic old school disco with knotted basslines, plenty of vibrant and jangling percussion and warm chords. It’s a great rework and he also provides an exclusive digital only remix that is even more unhinged, funky and freewheeling.
Next up is young UK house talent James Dexter, who has appeared on plenty of great labels in this, his breakout year, and shows why he is so rated with this remix. It’s a stripped back and dubbed out, firmly rooted bit of house music for the heads with tough beats are and lush chords. Closing out the package is Gourmand Music boss and Chicago House purist, JR From Dallas. His Ghetto mix is suitably quick licked, dirty and sleazy, with plenty of abrasive percussive loops rattling along next to busy drums and various vocal sounds.
For house heads there can be few better labels than this, and Piston’s latest offering might just be its best yet.
Belgian DJ and producer Van Czar delves into his ancestry and discovers his own African roots. Van has an ability to deliver quality productions every time, from Techno to House, he always puts his soul into his sound. Drums and percussions are big elements in his sound and with his ancestry we can see how he is able to tap into this and create purely soulful, outstanding rhythmic structures. Here we see Van recruit a few of his friends to contribute to the wonderful ‘African Roots’. Nine tracks filled with all the goodness of house and techno and burgeoning with tribal driven grooves.
Top Belgian DJ and producer Eric Powa B gets us going with ‘Supafly’. The intro boasts a penetrating tribal rhythm with some well constructed drum patterns. Nice and crisp hats sit over a cool chunky kick while some vocal samples add texture. The bass is the big hitter here as it pulsates through the groove keeping you locked in. On the break we get some awesome tribal chants which gives the track character, superb stuff from Eric and a wonderful start to this project.
Van is joined by New York based South African DJ and producer Brendon Moeller aka Echologist on the title track ‘African Roots’. Brendon has been around recording studios for a long time with a very respectful list of releases to his name and under various guises. The track takes on a tribal vibe right from the off as a myriad of drums weave out intricate patterns resulting in smooth rhythms. Nice crisp hats accompany a full kick giving the track a techno edge. Vocal samples ebb and flow in the track and add to the tribal textures. The break gives off a sweet string sequence adding a cool contrast to the sound. The track powers on and releases an acid line late on which further enhances the sound, wonderful stuff!
Next up we have Surasela with ‘Southern Attraction’. Cool percussion led intro which shapes up into a fine flowing rhythm. Chunky kicks and brilliant hats come through alongside some really cool deep chanting vocals. Simple synth notes add a beautiful texture to the sound and marry well with driving nature of the groove, top notch!
Darouge is up next with ‘Around The Corner’. Darouge was first introduced to electronica through listening to top trance and progressive jocks and as time went on his musical preferences changed. After attending many different styled parties he began to settle on house music with minimal tech and techno being his main focus. His last outing through Bonzai was his ‘Displacement EP’ on Eyepatch. Here he keeps with main theme behind the album and focuses on tribal rhythms with outstanding results. Expertly crafted drum and percussion patterns form up into driving rhythms with vocal samples thrown in. A truly deep throbbing bass shores up the grooves while on the break we get treated to a beautifully tweaked, hat, drum and vocal workout which builds back up to full on techno delight.
Van’s ‘Tobassi’ is next, the track intros with a slowly fading in beat accompanied with sharp slappy drums and cool hats. Powerful kicks give off a classic techno vibe and the drums intensify building to a sublime tribal rhythm. The break brings in surreal African chants which blend perfectly with the beats. Van has gone down the full on tribal route here and what a brilliant job he has made of it, simply stunning!
Swiss producer Mark Kavas and relative newcomer Peter Storm deliver a stunning tech fuelled slice with ‘Fennec’. Right from the off the track takes a cool tech edge with phat kicks and well balanced hats building the platform for a superb ride through the deeper side of tech house. Fantastic carnival-esque drums pop up and are the perfect companion for the gritty bass that dominates the sound. Sweeping FX make a show alongside cool and subtle synth work. Great track from these guys and a must for those deeper sets.
Mexican DJ and producer Ritch Mollen gives the vocal fuelled ‘Togo’. Ritch made his Bonzai debut with ‘Enough Of Disco’ at the start of 2013. He delivers the goods yet again with this electro-tech monster. On the intro we get a classic kick and hat combination which leads into a very cool male vocal which is a big attraction on the track. A tough bass soon follows taking much of the focus as it powers through the sound. Superb electro snares bring in each section with great effect and gives the track a surreal diversity, top stuff!
Van and Brendon Moeller aka Echologist give us a Dub Mix of ‘African Roots’ which is a full on jaunt through the deeper side of techno with tribal elements. Very dark atmospheres are created with dull thudding drums and beautifully crafted bassline that dominates the sound. Vocal samples give a hypnotic vibe and really set the track off. A hell of a ride this one and sure to be a big feature in many sets.
Spanish, veteran DJ and producer Mauro Nakimi delivers his track ‘Black Cube’. Mauro has been active on the scene since 1991 when he was big into the jungle, breakbeat, hardcore scenes. He became a regular feature around London playing at all the big clubs and in the mid nineties he began to write his own music. This resulted in numerous releases across many top labels. Today he sticks mainly to Techno as evident within this superb track. Big chunky kicks and percussions get us going along with the odd vocal sample. The percussion are very well arranged giving off smooth flowing rhythms as a deep rooted bass brings up the rear. As the track evolves many different elements combine giving a Techno flavour, on the break this is magnified with a brilliant deep bass arp that teases throughout the rest of the track. An epic ride that is not to be missed!
When US based artist Daniel Nusdeo aka Sedna handed us Decay, we immediately jumped on the occasion. What we discovered is one of the freshest talents in Progressive House Anno 2014. Airwave himself hammering it a lot lately says enough, this one is tailored dark and deep Progressive House. Craftsmanship of the genre at its best. Welcome Sedna, LCD Recordings is proud to Welcome Decay and Finding Infinity as two of its Bangers of 2014. Literally…
Russian producer EmLab debuts on our Green Martian imprint with the superb ‘Sirenes’ and comes with two top notch remixes.
The Original Mix provides a smooth melodic intro as a rising synth fades through alongside a nice chunky kick and cool percussions. The track bursts into a wonderful driving prog house stomper as a deep bass pulsates through the grooves. The melodies evolve beautifully in tandem with the bass and dominate the break while a sharp guitar sequence takes shape. These sounds blend so well together resulting in a rich tapestry of sounds that would sit well in any set, top class stuff.
The very popular Jimmy Galle steps up for remix duty and delivers a stunning slice of tech fuelled, prog house vibes. The intro boasts a tight drum arrangement with big, phat kicks and crispy clear percussions. A resonating deep bass shores up the rear and morphs its shape occasionally. Very subtle melodies sit back creating surreal atmospheres as the beats take control and stave the way for some very cool FX which works wonders on the sound, superb!
Delphi returns to Green Martian after his well received debut ‘Mariana Trench’ with a stunning energetic workout on the remix. Nice and smooth pads ebb and flow on the intro before a huge kick slams in forcing you to react. The energy levels rise as a massive offset bass gets the track into full on mode. Throughout the track a wonderful, almost metallic sounding riff gets a lot of attention while on the main break some sweet melodies sit back and tease before being unleashed creating an uplifting vibe. One to watch here and a definite must in any box.