Recent posts: FEATURED
Having joined forces just a few short months ago, Manu Riga and Matt Holliday deliver the fruits of their labour with the superb two tracker You Are Contagious. Both artists bring their different expertise to the table, Manu aka Adriaan Baussens, with his deep, dark and tribal ethnic flavours merges beautifully with Matt’s progressive trance, tech edged grooves. Their producer minds have connected effortlessly as they collaborated initially via Skype and then in person with Manu travelling to Matt’s hometown of Birmingham. Manu is a longstanding member of the Bonzai family and has brought many top notch progressive tracks to the table, a list way too big to type. Matt has established himself firmly within the underground scene in the last few years, he has released on top labels including JOOF, L*C*D, Discover and Go On Air. His style of producing covers progressive, trance and deep tech grooves and it was this that caught the eye of John 00 Fleming, who described him as a “great discovery”. A big moment for Matt, and one he takes great pride in, was back in 2014 when he had the opportunity to remix a track for the legend that is Airwave. Big plans are ahead as these two gifted artists let loose their creativity in the studio and refine their DJing skills with upcoming radio guest spots.
You Are Contagious is a definite peak time track with it’s tough edged, tribal infused grooves. We get sucked right into this groove from the get go as a deep, throbbing bass bubbles up from the depths alongside some expertly placed sounds and FX. Classic house styled chord stabs litter the sound and lead us seamlessly into the more progressively charged side of the track with the addition of ethnically charged voices and tribalistic drum sequences. On the break is where this track really lifts off, deep droning basses converge as bright melodic leads splatter across the spectrum alongside rich sweeping strings. The voices come to the fore before tribal drums get us back into the beat driven rhythms. A roof raiser for sure you will not want to miss.
Roots takes us deep into the darker side of progressive with its haunting intro filled with chunky beats and ghostly scraping sounds. A myriad of one shot hits litter the arrangement and add wonderful textures to the sound. A real deep rooted vibe emerges as the pulsating basses lock horns with the superb tribal beats. The haunting theme is greatly enhance with an absolute gem of a female whispering vocal that will send shivers down your spine. Throughout the track we get treated to many ethnic sounds but the stand out moment is a didgeridoo riff that is placed so perfectly in the composition. Another must have track that will be right at home in the middle of your set.
Russian DJ and producer Ruslan Vashkevich returns to BP after his debut Simargl back in October 2014. This time around on Ashuar, we are treated to three top notch cuts that will get those progressive juices flowing.The title track Ashuar, intros with nice punchy kick drum and cool percussive hits that steadily build up into a full blown rhythm section. Rich strings fade through creating a sublime atmosphere alongside some very cool FX. The bass brings the progressive groove of the track to the fore as it meanders through the sound beautifully with its plucky vibe and clipped edges. A deep hypnotic groove ensues that will have you locked on for the duration.
I’m Fine, What’s Happening picks up the pace a bit with an up-tempo kick that takes us into a rising offset synth and a pulsing bass combi. The synths transform throughout with varying degrees of pitch and modulation. A tight drum arrangement provides a solid rhythm that will keep the feet moving on the floors no doubt. This track will fit nicely into the faster paced sets and bring a nice slice of energy to the proceedings.
Jene Nete takes on a real smooth progressive flow from the outset with its lazy bass and shuffling rhythms. A tight arrangement keeps everything in check as distant pads begin to rise in the background. The break descends into total silence before that punchy kick brings us back into the main groove. Quite a minimalistic vibe that solidifies the saying that less is more, and with Jene Nete this is true. A definite must have track for those late night sets.
Oraa & Ekai make their duo debut on Piston the superb two track Hot Like 95 Fahrenheit. Great to see Oraa return to Piston after his last release a few years back with That Go EP which was very well received indeed. Since then he has released on several labels and added his skills on remix duty for various artists. Ekai is a lover of house in all its forms and while he may seem relatively new to the scene he brings a fresh sounding quality to house music and he lists some of the greats of house as his influence such as Masters At Work, MK and Green Velvet. An exciting future for this Spanish duo as their music will attest, we’re looking forward to more in the future.
Hot Like 95 Fahrenheit intros with a classic styled kick and hat combi that always gets the appetite whet. Cool vocals creep into the sound early on and give us a glimpse of things to come. A superb pounding, throbbing bass takes full control of the sound as it bounces through the groove while those MC style vocals do their thing. Super tight drums bring a solid rhythm and keep the dancing feet moving easily. All throughout the track we get shook to the core by that brilliant bassline which really holds the track up beautifully. Get this on your playlist, you will not be disappointed.
Sun Won’t Shine Forever gets going with a powerful kick that hits you right in the chest and is joined by some crispy distorted open hats. Cool siren FX fill out the background as cool analog sounds bounce along the groove. A deep rooted bass lurks at the low end and allows the mid range sounds to flourish. Sinister sounding vocals sound off throughout and provide a dark narrative as much softer voices filter through. Cool dark sounds for the late night sessions, superb stuff.
ravenherz aka Otto Ravenherz returns to Elemental with a blissful trek into chilldom with Host. This young Russian producer debuted at the start of 2014 with Safe Place which has since went on to feature on numerous compilations. In his earlier years he was inspired by the Rolling Stones, Pink Floyd, The Beatles, AC/DC and Metallica. At the age of †5, he was watching live performances on VHS again and again and decided to become a Rock Star, but his parents always told him that being a musician isn’t a stable way of life. Later, against the odds, he attended music school and found a passion for electronica as well as studying forensic science. Currently he enjoys dabbling with a wide range of music styles of which the results are outstanding. We hope to see much more from this guy in the future.
The Original Mix of Host intros with a beautiful melancholic sequence as deep bass notes lurk in the background. The track bursts into life with an unexpected Drum and Bass rhythm section complete with crispy hats and syncopated kicks underneath a superbly arranged snare. Above the melancholy a much sweeter, melodic flavour can be found among the sweeping pads and the smoothly plucked electric guitar. Perfect fodder for a warm evening by the fire.
Anin Velik steps in for remix duty on Host and delivers a superb cut in the process. The intro glitches into existence with a distorted rising synth and hypnotic low frequency. Beautifully modulated keys fade through as analog sounds sweep past giving off a space age feel. The melancholy seeps into the sound beautifully and is contrasted by some wonderful guitar melodies before the track completely transforms into a tough and edgy slow grooved monster. Big chunky kicks and deep droning basses dominate and then dissipate leaving behind a raw, electrified groove. A track with many faces and interesting twists make this a truly sublime experience.
The impressive Philthy Chit aka UK based Phil Taylor delivers the powerful progressive groover Dichoctic which comes backed up with a remix from Tribal Warriors. Phil is currently churning out top class work as shown in his last release Confabulate as well as releases on other labels including Perfecto Records with more in the pipeline soon. More recently his works have gained popularity with appearances on the chart topping Bonzai & Friends compilation. He remains an in demand remix artist with many requests coming in thick and fast. Check out Phil’s new radio show Perfecto Black on DI.FM which airs on the first Wednesday of every month from 6pm GMT where you’re sure to catch only the best sounds from Bonzai and beyond.
The Original Mix gets us going with a tough, pounding kick and sharp hat intro as metallic hits drop on the downbeat. A cool shuffling rhythm ensues as a deep bubbling bassline takes control of the sound. The deep bass remains a constant while a sub bass filters off to add an edgy touch. A fantastic ‘deep in the house’ vocal wafts through the sound beautifully and adds a great character to the sound. On the break cascading arps take the track deeper into the progressive world resulting in a super tight groove that will hold you in its grip for the duration. Superb stuff yet again from Phil and a must have track for sure.
The Stripped Mix is a much smoother track than its original sibling. The powerful deep grooves remain but with a slightly different drum arrangement that still packs a huge punch as it dishes out a full flowing rhythmic sequence. The cascading arps are still a big feature alongside that deep, solid bassline and house inspired vocal. Definitely not to be missed.
On the remix we have Tribal Warriors aka M.I.K.E./Push who we last saw on Bonzai Basiks with his Defiance EP. 2014 was another big year for Mike as his tracks and remixes gained chart topping status across various portals. Already in 2015 he has some great things lined up including more Push Live which always makes for exciting times. Don’t forget to check out Club Elite Sessions to stay up to date with all the goings on. The remix intros with a muted kick as a wasp-like sound fades through, instantly grabbing your attention. A strong throbbing bass rises up from the depths and is joined by bright, crispy hats and sharp claps which provide a cool rhythm to the sound. The kicks are transformed into nice punchy shots that balances things out beautifully. An intensity builds in the track as synths begin to form up alongside that very cool vocal. On the break the swirling synths are tweaked and filtered into a frenzy before we crash back down with a superb kick and analog synth combi. A proper tech fuelled groover here that is the perfect crossover track into the progressive world.
DJ and producer Christopher Hermann debuts on Bonzai Progressive with the sublime Point G. Also known as KristÛf Hermann, he has been a lover of music all his life. His early years were spent listening to lots of music, but in 2003 everything changed after hearing Hernan Catteneo’s Renaissance Master Of Series. Progressive House became something he would pursue with gusto and he started to as much tracks as he could. In 2007 he made his first mixes under the name Christopher Hermann and quickly gained a reputation as a respected DJ with quality tunes and tight mixes. His tracks have appeared on labels like Klinik Room, Emotional Noise, BQ Recordings, Balkan Connection South America, Clinique Recordings and Crosslink Music. A fine addition to the label and hopefully more to come in the future.
First up we have Point G with its stunningly deep bass driven intro. Phat kicks are layered over a throbbing deep bass as wispy sounds fly through the sound. The rhythm gathers pace with the introduction of a cool hat and clap pattern. The track takes on an erotic flavour as various voices seduce the senses with their sexual appeal. Dark toned stabs litter the groove with cool house textures as the progressive edge drives the track. On the break things heat up to a feverish pitch as a female voice groans with pleasure before that huge kick and bass combo returns. Superb stuff that will go down a treat in the darker rooms.
High Heels & Lingerie intros with a snappy kick and a smooth plucked bass sequence while swirling stynths create a cool atmosphere. The groove goes deep here as that bass etches into your brain, hypnotizing your mind with its progressive prowess. Cascading notes bring a hint of melody as the layers build and create a solid rhythmic flow alongside the crispy hats and percussions. The break lets loose on the synths before slamming right back into the main groove. A top notch progressive cut you will not want to miss.
The stylish sounds of Bonetti return with his new four track EP entitled Don’t Stop The Rhythm. This Spanish DJ and producer likes to add his own unique twists on Tech House and Deep House which you can find on his last release Rupture. Always a delight to have this guys sounds come into the office and hopefully much more to come.
Up first we have the aptly named Don’t Stop The Rhythm with its shuffling percussive intro that really sets the rhythm loose. Tight drum arrangements build up and are soon joined by a nice well rounded kick that adds a cool punch to the track. A short break brings in groovy keys that bring a warm glow to the sound. The keys take on various personas as a result of some nifty finger play creating a smooth head nodding groove that in turn gets the booty shakin. Top notch FX sweep through the sound alongside funky vocals which sit so well into the groove. Superb stuff you will not want to miss.
House Of The Rising Sun intros with a classic styled chunky kick and hat combi which is joined by a throbbing bass that walks through the sound effortlessly gaining momentum as it goes. Warbling keys soon join is also and deliver a real funkness to the groove with the help of cool vocals. The break whittles down to echoed claps and vocals as a brilliant chord stab fades through before slamming us right back into the main groove for the duration. Top notch solid beats here that will be a welcome addition in any deep and groovy set.
Next we have My Lonely Nights which sets off with a smooth, atmospheric house vibe as soft keys come through and transform into a sustained synth complete with filtered edges before slamming into a full deep fuelled vibe. Super tight drums and plucked basses provide the solid rhythms here and the myriad of keys make for a very interesting ride. The vocals stand out beautifully and keep with the funky tones within the groove, a stunning slice of deep house goodness here and a must have track for 2015.
Dance For Me rounds up the EP in style with its classic intro and teasing notes. A wonderfully lush bass meanders through the sound giving off a quick step feel as a tight drum arrangement sets the rhythm off. Cool keys litter the groove throughout and provide a true house experience alongside the fantastic vocals on offer. A proper upfront deep house cut that will have the floors moving no doubt.