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Time to shake off the Winter bite and get ready for this year’s WMC in Miami, Florida, and if you’re not heading over to the event itself – to bask in the glorious sunshine – then we have just the thing to get the heat rising in your party. We’ve selected some of the finest examples of expertly crafted grooves from our vast catalogue of works, conveniently wrapped in a mega pack that will add a much needed boost to your crate. We have 70 original and remix tracks on offer here that will cater to all your progressive needs from artists such as Airwave, Jam El Mar, Phi Phi, Manu Riga, Nico Parisi, Stan Kolev, Matan Caspi, Thorin, Gabriel West & Ricardo Piedra, Gai Barone, Don Longton, Blufeld, AudioStorm, Cryss, Iga Dep, Koschk, Phi6, Kevin Vega, Robert R. Hardy, Rise and Fall, Ruslan Vashkevich, Rick Pier O’Neil, Andy Leavy, Jakhira, Steve Sai, Ewan Rill, Audio Noir and Crocy to name just a few. A definite must have collection that will provide hours of Winter warming fun.
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Manu Riga aka Adriaan Baussens returns to Bonzai Progressive with the fantastic two track slice Your Silent Cries. As ever we’re treated to some sublime progressive moments from this guy who is relentless in his consistent approach to top quality grooves. His last outing here – Disconnected – featured the amazing vocals of Mandy Jones and gained a lot of support from across the board. This time around Adriaan took inspiration from watching a documentary about abuse toward women and the taboo that still surrounds it which will go some way to explain the deep and emotive sounds found within. Two stunning tracks that will be a welcome addition in any collection.
Your Silent Cries is a sublime cut that takes on deep progressive grooves in true Manu Riga fashion. A solid driving arrangement sets the course as tight drums lead the way with a bubbling bassline lurking on the low end. The attention to detail in the drums is outstanding, subtle snare rolls and shuffling hats combine beautifully to give off a rhythmic vibe. Warping synths dish out cool melodics as distant voices loiter in the background. The break contains a beautifully crafted melody from rich sounding instruments adding wonderful colours to the groove. A deep and evocative sound that will appeal to many, a must have for sure.
Point Of No Return intros with a solid punchy kick drum that has a very subtle bassy tail that adds roundness to the sound. Rhythmic percussions soon follow and the track takes us to the floor. A deep and penetrating pulsing bassline fills the groove with a warming glow as swirling pads create a surreal ambience overhead. The track oozes emotion that provoke thought and on the break this is more true as we’re met with a spine tingling vocal. The drums return and get us back on the progressive trail for the duration making this an absolute stomper that is not to be missed.
Pavlin Petrov returns to BP alongside studio partner Graham Lloris with We Are Not Alone which features two top notch remixes. Pavlin joined BP back in September 2015 with the superb Feeling Alive which featured the vocal talents of Selina Stone and which led to a remix on Crocy feat Ashley Berndt’s Mind at the start of 2016. Since then he gave us Set Me Free and Resistance both of which typify the sheer talent of this popular artist. Budapest native Graham Lloris debuts here at BP but he has worked alongside Pavlin on other occasions with fantastic results. He’s been churning out quality cuts since 2012 and has established himself as a solid, consistently creative artists. Great to have him on board and no doubt we’ll see more from both in the future.
The Original Mix delivers a solid prog house groover that intros with a chunky kick drums and rhythmic percussion combi. Intricate patterns are formed from the percussion arrangement and slot nicely into the groove. A deep droning bass pad ebbs and flows overhead as the layers build creating depth and drive. A wailing hybrid sax-synth draws attention as the subtle melodies begin to appear on the break taking us on a surreal trek deeper into progressive house. One for the late night session here that will not disappoint.
Nico Parisi is back at his progressive home with another one of his sublime remixes. His last full release was back in 2016 with Attica which performed very well indeed. He has also contributed some fantastic remixes since then and his works continually appear on multiple compilations. On the DJ front he enjoys plenty of gigs across Belgium and beyond. Always worth keeping an eye on this guy with much more to come in the future. On the remix here Nico utilises the melodic elements of the original beautifully working them into his deep and grooving progressive flow. Tight drums and cool percussion patterns create smooth rhythms that flow effortlessly through the track. That deep droning bass adds wonderful depth to the sound as the melodies work their magic. Another top notch slice from Nico and a must have track.
Kevin Vega makes a welcome return and steps up to the remix plate with a brilliantly worked progressive groove. His last outing here – The Crimson King was championed by many and topped many charts. His works always find their way into compilations adding some extra weight to every release. We never tire of this guys attention to detail in his tracks and we’re sure we will see much more in the years ahead. Here Kevin takes the original mix and gives it one of his sublime makeovers adding in extra punch and a driving edge. Tight drums lead the way and a cacophony of percussions insure that the floors will get a workout from this. Various synths layer up to create a sublime sequence that mystify and captivate thanks to the subtle melodies borrowed from the original. A beautifully crafted groove from Kevin that is most definitely not to be missed.
Adriaan debuts on Piston Recordings with the delectable house music grooves of La Oscuridad. Two tracks take us on a sublime journey deep into the house music abyss. Both tracks will ensure that any set has depth as well as provoking a melancholic feeling. Great to have this superb talent on board and we hope to see more in the future.
The epic multi layered story that is La Oscuridad is up first and goes deep right from the off muted drums are layered over a glitchy sound and eerie pads. Chunky kick drums fade in drive the track nicely with a mesmeric trait while sultry synths and mysterious vocals come through. The track cuts deep into your soul and holds on relentlessly for the duration wrapping you up in its warming grooves as the more darker side creeps through. Top notch stuff that will not disappoint.
Whatever You Know intros with some very cool dark drums and hypnotic percussions that deliver a solid, tight arrangement. On top of the bassy tones we find sharper synth notes as well as surreal FX, melancholic melodies and a haunting vocal. The groove takes hold and we find ourselves locked on for the duration on this epic 11 minute monster of a track that is a definite must have for the late night sessions.
Monotronik are Portuguese DJ and producer duo Freddy Lourenzo and D’Joseph Alves and they return to Piston Recordings with the superb Subculture. Their last outing here was their debut Divergence, back in early Summer 2016, was very well received indeed having landed on many charts and playlists. The pair DJ regularly all over the place and are known for their tight, groovy sets. They’ve put out several top quality cuts recently on Underground Source Records and Sync Forward, moving between tech house and deep house. Great to see them back once again, well worth keeping an eye on.
Subculture intros with a cool muted kick drum and crispy hi hat combi before the drums get a boost of phatness that get us heading to the floors. Rhythmic percussions soon join the fun as a probing bassline weaves through the track. A short break reveals some very cool clubby vocals that blend effortlessly into the tech house groove on display. Stabbing synths with a gritty texture are the icing on the cake here making this a definite must have for the lively floors out there.
Watching sets off with a cool percussion led arrangement before a nice and chunky kick drum bursts into play. This is joined by an in-your-face bassline that works its way into every orifice of the groove and filling the low end with its warm tones. Cool vocals litter the sound as filtering synth stabs bring out the tech goodness. The break throws up a superb sequence filled with swirling pads and erratic synths before the beats return for the duration. Top notch stuff that is not to be missed.
Next up in our series of remixed classics, celebrating our 25th year, we present a contemporary take on one of our most recognisable anthems from back in the day. Progressive maestro Gai Barone takes the driving seat on this one as he delves deep into the anatomy of Universal Nation, penned in 1998 by a stalwart of Belgian trance – Push. From the very first play out, this one became an instant classic with its soaring synths, chugging bassline, swirling melodies and driving beats. It quickly gained a massive worldwide following as it spearheaded a burgeoning scene creating a multitude of hands in the air moments for the masses. Overwhelmed by the response, Push aka M.I.K.E. soon found himself travelling the world and playing out in front of thousands, both as a DJ and using a live band set-up. The track also spawned a plethora of remixes from a wide range of artists including Ferry Corsten and Oliver Lieb among others. In 2016, Universal Nation was voted number 1 on Studio Brussel’s The Greatest Switch Top 100 tracks which, stands as a testament to the high regard this track and its creator is held among music lovers.
Over the last number of years one name has been synonymous with deep, melodic progressive grooves, Gai Barone. He delivers pure quality with everything he touches and is very much revered by his peers as an inspirational figure. He is no stranger to Bonzai Progressive, he’s contributed several tracks and remixes that have gained great support and he continues to lead the way with his tight production skills and creativity. The perfect choice for this one we think. On the remix Gai takes us on a sublime journey with his alternative take on this classic. Right from the off we find ourselves drawn in as surreal, swirling pads and FX create a scattered texture. Chunky kick drums soon follow and a super tight drum arrangement keeps the rhythm flowing. Vocals from the original masterpiece are on display as well as extended vocal snippets from the original source. In comes that classic melody that fades into existence to the backdrop of a solid, driving bassline that captivates the mind. The break is simply sublime as Gai takes the tempo down before rising back into full on mode. An absolute stomping remix that will definitely become a firm favourite among many.
Ruslan returns with another quality cut, this time he brings us the top notch Matter & Light which is backed up with two superb remixes from Jakhira and Paul Kardos. Ruslan’s last outing – Blind Man’s Shine, drew a lot of attention and gained features on various portals including Beatport. Always one to deliver, we’re sure this latest slice will not disappoint.
On the Original Mix Ruslan drops the tempo to unleash a deep and moody progressive groove filled with warming basses and ethereal swirling pads. A tight drum section will get the feet tapping as we’re drawn deeper into the abyss. The track focuses in on that superb probing bass finds its way into every corner of the room with ease. A top notch slice once again from this highly talented artist.
Jakhira is up first on the remix with his Dark Energy Mix. This guy has been making lots of waves around the office with his beautifully crafted sounds. He puts the house into progressive house with such ease, as shown on his last BP outing – Be As One. Following this one he shifted over to Piston Recordings with his Americana EP showing us his diversity and dynamism in the process. On the remix here he showcases his wonderful creativity once more. A super tight arrangement jam packed with quality sounds and FX and headed up by a solid rhythmic drum section. Warming chords and a fantastic bassline blend effortlessly as the layers build. On the break we’re treated to subtle melodies that allow you drift away before we come back to the main groove for the duration. A definite must have in your collection.
Hungarian producer Paul Kardos is up next with his Rework. Paul last featured on Bonzai Progressive back in October 2015 with The Workout Song and since then he has released a plethora of tracks on several labels. A top notch producer and always one to watch, we’re delighted to have him back at BP. Here Paul takes us deep into progressive with a sublime effort that encompasses everything there is about progressive house. Deep and lush basses, rhythmic percussions and a solid kick drum are joined by atmospheric pads that create some very cool textures. Cascading arpeggios and subtle melodies pique the interest and draw us deeper into the groove. Superb stuff that will not disappoint.
Florence based DJ and producer Klaus Keller debuts on Piston recordings with the superb two tracker, The Beat Don’t Stop. Klaus started producing music at 14, just for passion, but he was always trying to improve and refine his style which, got him noticed some years later. He has released his work on various outlets including Something Different, Moustache Label and Different Attitudes. Klaus likes to deliver a hybrid sound from the worlds of digital and analogue, and this is what we are treated to on this one.
Straight up tech house stomper The Beat Don’t Stop delivers the goods that will get the floors pumping no doubt. The intro is made up of a punchy kick drum and crispy hi hat with a cool spoke vocal that gives a nice clubby vibe. Scathing synths twist and morph as percussions force you to move. A super tight arrangement with a very simple structure that will give any party a boost.
Fuck What You Thinkin grabs your attention right from the get go as a chunky kick drum is matched with a muffled acid lick that fades slowly in, teasing as it goes. Meanwhile an array of sharp, snappy percussions are forming up creating a solid rhythmic flow. The acid line takes centre stage as the filters open up alongside a cool spoken vocal. A superbly crafted nod to the hey days of acid wrapped up in a contemporary package that will delight many for sure.
Returning to Piston Recordings after a bit of a hiatus we have Spanish DJ and producer Mianyo with his fantastic two track EP entitled Breaking Bytes. It was way back in 2014 when we last saw this guy here at Piston and we’re delighted he has returned. Since his Beat Club EP he has racked up quite an impressive list of quality cuts on various labels and has worked with a few top artists on other projects. Hopefully we’ll be seeing much more form this guy in the future.
Breaking Chords intros with a beautifully surreal sequence filled with ethereal pads and a mesmeric high string alongside subtle percussions. A cool broken beat comes through before subsiding and leaving us with those pads once more. The track then goes into full on deep house mode with a flowing 4 x 4 structure that will guide feet to the floors. A warming bassline reside perfectly on the low end as superb gated synths deliver that perfect house groove. A wonderfully nostalgic vibe that will not disappoint.
Piano Bytes sets out with a cool and crispy hi hat which is paired with a sharp clap. A pumping kick drum soon follows as does a probing, deep bassline that moves effortlessly through the sound. Superb chord stabs fade in and we find ourselves locked into a classic styled garage groove that will both satisfy and electrify. The break is where this track really starts to shine as it throws in a real nice piano riff that will tear up the floors with ease. Top notch stuff that you do not want to miss.
Hailing out of Stettin, Poland, DJ and producer duo Dawid Korniak and Michael Modoolar make up Floating Groove and here they debut on Monog with the superb Verana EP. The guys got together in 2015 and started to think about their musical direction and performance with their first release coming on Mexican imprint Elite Records at the start of 2016. A real dynamic duo who are shaping up to be pretty important in the world of electronic music, definitely ones to watch for the future.
Consciens intros with a nicely toned kick drum alongside a sharp clap. Rhythmic percussions soon follow with a shuffling hat taking the lead and getting the feet tapping. A hypnotic arpeggio fades in becoming a big focus in the sound as a probing bassline ramps up the deep groove. The break reveals a captivatingly cosmic vibe that delivers ethereal melodies before the sounds combine once more for the duration. An eclectic slice of deep tech house that will not disappoint.
Verana sets out with a cool arrangement of percussions that are joined by a nice and punchy kick drum. A super tight drum section delivers a solid rhythmic flow which is complimented with mysterious whispering vocals. Stabby house chords create cool textures as a deep underground floating chord pad swells throughout the track. The track captivates as the layers build and will make the perfect fodder for any late night set, not to be missed.
Berlin based DJ and producer Patryk Molinari steps up for remix duties and gives Verana his 303 Treatment. Patryk knew electronic music would be a big part of his life from an early age. His late teenage years would become the moment he realised this passion was so strong and he started to produce his own music. He was influenced by the Big Beat scene but soon discovered house music opting for the deeper shades within the genre. He has released a plethora of top notch cuts across various labels in the last several years and shows no signs of letting up, definitely an artist to keep tabs on. As you’d expect from the remix title we’re treated to a healthy dose of vintage 303 acid. A chunky kick drum leads the way as a meandering acid line coasts in the background over a superb thick bass. Cool FX, gated synths and swirling pads add colourful textures but it’s the acid that gets under your skin giving this track a unique flavour. Top notch stuff you do not want to miss.
Italian DJ and producer duo Checco Esse and Adriano Dodici are back at Progrez with the superb two track Motion EP. The guys’ last outing here was back in August 2016 with the Quick EP which gained great support from many. Checco and Adriano are considered with very high regard among their peers and are known for the outstanding quality in their work. Since the early nineties they’ve been delivering the goods and we certainly hope they’ll be delivering many more goodies in the future.
If you’re looking for some deep hypnotic progressive grooves for that moment in your set when you want take things to the next level, then you’ve come to the right place. High Motion does exactly that with its sublime mesmeric groove, steeped in wonderful lush basses and ethereal atmospheres. Yes, this is progressive house at its rawest, and it will not disappoint. Tight beats and shuffling percussions keep the rhythm pumping while a beautifully crafted bassline gets the hips swaying. A cacophony of melodic synths and FX blend effortlessly to give that trippy vibe which is accompanied by a fantastic spoken vocal that draws you in with an intriguing narrative. On the break a melodious piano opens the enlightenment flood gates before the solid beats return for the duration. An absolute stomping track that is not to be missed.
Up next we have Slow Motion which certainly lives up to its title as the beats are slowed to a laidback tempo that carries an infectious groove that will hook you in. A tight arrangement made up of chunky kicks and bright crispy hats sets the pace as a chugging bassline brings the low end to the fore. Superb melodic pianos litter the sound alongside various stabbing synths and cascading arps making this the perfect fodder for the wind down after a solid night of partying.
Based in Billings, USA, J. Michael Kober debuts on Green Martian with the fantastic tow tracker entitled A Brief Infinity. J. Michael Kober is a relative newcomer to the scene, over the years he has familiarized himself with the technology and techniques that would eventually allow him to develop his sound, a blend of Progressive, Tech and Psy Trance with a focus on deep, dark, aggressive rhythms. A demo sent to JOOF Recordings in early 2010 caught the attention of John 00 Fleming, who featured it as the track of the month on his radio show and promptly signed it to his label, enlisting Magnus for the remix. Subsequent releases performed very well indeed as many top artists began to take notice. His DJ career began in 2009 with a residency on Sense.FM. The Essential Edge aired for over a year before he cancelled it due to creative differences. J. Michael has been very supportive in developing the local scene, working with promoters, using different events and club nights to explore other electronic styles. Much more to come from this guy in the future, well worth keeping an eye on.
A Brief Infinity delivers a solid progressive groove with a probing bassline that stands out brilliantly through the track. A tight drum arrangement and rhythmic percussion sequence dishes out a smooth rhythm as dark synths lurk in the background. An array of quality FX add some very nice textures to the sound and help create the intricate structure of the groove. Various tweaked chords drive the track beautifully and contrast starkly with the more brighter elements. A top notch slice that will not disappoint.
Right from the first few bars we get completely hooked on Cities In The Sand with its underlying Psy progressive groove. A fantastic, solid construction that drives with a fierce edge filled with big, brash sounds that will fill every nook and cranny of the room. Everything about this one screams floorfiller thanks to a chugging bassline and classic sounding synth leads. A sure fire dancefloor destroyer here that is not to be missed.
Prolific Bonzai Progressive artist and purveyor of fine progressive beats, Phi Phi teams up with Roddy Reynaert for their superb two tracker Aokighara. Phi Phi continues to provide the wow factor in everything he touches and with a new partner on board you can be sure that this will be an even greater wow. An exciting dynamic here from these two and we hope to see more from them soon.
Aokighara is up first and right from the off you are embroiled in the tracks pure progressive vibes. Leading the way we have a tight drum arrangement that dishes out a solid rhythm with a nice chunky kick drum at the forefront. The bassline drives the track in a wonderful Moroder style that creates depth and a strong dancing groove. Sweeping pads create atmosphere as melodic synths play their part. The track is full of passion and the musical elements deliver a sublime groove, this one is most definitely not to be missed.
Haarp is one of those tracks that will stand out in any set. The tight drums and shuffling percussions provide a solid platform for the epic acid style track to thrive, and it’s the acid laden groove that hits home here. Firmly rooted in retro with a contemporary twist, this one is going to light up floors for sure. A deep rumbling bassline is overlaid with an ever rising acid line that ebbs and flows while on the break a classic style trilled synth hypnotizes. A superb slice that will give the old heads much delight and the younger heads something to aspire to and enjoy for all it is, pure class.
Gabriel West and Ricardo Piedra return to BP with Yellow Leaves which comes backed up with two top notch remixes. This exciting duo have been making beats together for a while now and they certainly know how to crank up a groove. They recently provided a quality remix on Matan Caspi’s Luxurized which performed very well indeed. These guys always deliver and so far we have seen some superb cuts – including this one – with much more to come so stay tuned.
First up we have the original mix of Yellow Leaves which takes us deep into the progressive arena with solid beats and warm grooves. The drum section stands out as a myriad of percussions and a nice pumping kick drum join forces. Intense bassy arps bubble up from below as swirling pads join in contrasting beautifully with each other. A tribal element is evident as enhanced slapped drums dole out their rhythmic patterns while a probing bassline weaves through the sound. Top notch stuff not to be missed.
Roots delivers a pretty intense progressive workout thanks to a powerful bass that drives the groove forward alongside a cacophony of drums and percussions. A steady rhythm is formed that will keep floors rocking as will the nifty electric guitar riffs. Attention will be drawn to the expertly crafted drums though as they are prominent throughout. Another solid slice here form the guys that will not disappoint.
Matt Holliday is back at BP with his Waiting Remix of Yellow Leaves. His last outing here was with the fantastic Underworld back in the Autumn of 2016. He has been very busy over the last year or so, he continues to run JOOF Aura which is going from strength to strength with every release as well as airing his own radioshows and performing live. Always a pleasure to have his work drop into the mailbox and no doubt we’ll be seeing more soon. On the remix here Matt goes for the deeper recesses of prog with a wonderful display of arrangement and sound design. The track boasts a solid drum section with a deep tonal bassline lurking in the low end. Sinister voices litter the sound as contrasting pads a sweet melodics flow through the groove. Another epic Matt cut that is not to be missed.
Belgian DJ and producer Karim S is back at BP with his fine remix of Yellow Leaves. His debut – Pilots Of The Millennium, gained a great deal of support from a host of jocks around the world. His experience and knowledge in music allows for some seriously tight grooves and this is praised among his peers. Definitely one to keep watching here. Karim takes his remix into the tougher realm with a sharp and in your face groove that will certainly get the floors moving. Punchy kick drums lead the way with offset crispy hi hats and tight percussions providing a steady rhythmic flow. Cool chord stabs with a tech edge mesmerize as various layers build up into colourful textures. The break throws in some fine melodies against an electrified distorted arpeggio that turns into an acid-like sequence for the duration, superb stuff.
House music maestro Leandro Silva is back for his fourth Piston outing with the superb Nada which comes hot on the heels of his last slice Aural. His repertoire continues to grow together with Piston’s partner label Igual Recordings where he has unleashed a few gems of his own. He continues to deliver killer sets at top parties and radioshows and is a very much revered artist among many. Always a pleasure to see new material from this guy.
Nada delivers a sublime, deep house track that straddles minimalism and leans heavily into a hypnotic groove from start to finish. The drums are magical here, they create a sing song musical vibe courtesy of some expertly tweaked pitch control from Leandro. The occasional warm chord crops up alongside cool vocals and in the background we find an almost eerie string that lurks menacingly. A beautifully intricate arrangement that will not disappoint.
Rewind intros with a solid pumping kick drum with a nice and bassy tail end. Bright crispy hi hats slice through the lower frequencies as percussion patterns start to build. A deep rumbling bassline comes through bringing depth to the sound while warming chords fade in to deliver that pure deep house groove. Super stuff from Leandro and a must have track.